Check out this footage of Zach Hill playing the song “Lost Boys” from Death Grips’ upcoming album The Money Store. According to Zach, “The album track started with a live drum take, so when playing to it live, I’m actually playing and improvising over myself. I’m not using in-ear monitors; it’s pretty a raw setup. I’m keeping time by what’s blasting out of the monitor.
“The song is in 4/4 for the most part,” Zach adds. “The chorus goes half time and has a strange stutter to it.”
Hill is playing a three-piece setup consisting of kick, snare, and floor tom, with a single pedal. “The trashier-sounding cymbal on my right is a stainless-steel Three Belled ride,” he explains. “The snare is stainless steel as well, and both were made for me by Gregg Keplinger.
“This was filmed on February 29 at our rehearsal studio in Sacramento, California. The song itself is inspired by the legendary punk band the Wipers.”
After dropping their first single, “Full Moon (Death Classic),” Sacramento hip hop-noise hybrid Death Grips (featuring Zach Hill) just posted a new video for “Lord of the Game.” VHS-driven visuals continue to dominate DG’s aesthetic; a grainy, tornado-like spiral scrambles night shots of city streets and night clubs. Like “Full Moon,” a multi-faceted rage is felt throughout the track, but this time the noise element is overshadowed by an emphasis on neo-old school hip hop. The song wraps up with “Fuck where you’re from, fuck where you’re going, it’s all about where you’re at.” We couldn’t agree more: we totally wanna be where DG’s at. –Coco Zoabi, International Tapes
Five months ago, Zach Hill started jamming with some friends and neighbors around his hometown of Sacramento, CA. Overtime, their hangouts slowly mutated into a full-fledged hip hop project called Death Grips, which features two other collaborators, judging from the image at the bottom of their website, thirdworlds.net. The site launched earlier this month and has a staggering amount of output (two videos, six downloadable songs, and a gif!), all of which was created collaboratively by the Death Grips crew. While getting lost in the sea of multimedia waiting for you, be sure to treat your eyes and ears to the intense, visceral video for “Full Moon (Death Classic)”. –Ric Leichtung, Altered Zones (via Coco Zoabi)
“We we’re pretty excited when the first Death Grips track dropped, and this is pretty much more of the same raw-ass shit from the likes of Zach Hill & Company: Angry and aggro, anarchic and dead pan, pushing the instrumentals to new levels of grit and industrial damage.
There’s also the non-sequitor Major Lazer-biter "Lord of the Game”, which has Mexican Girl dropping in as some kind of Santigold proxy. But there’s nothing here that really fits cleanly into the east coast commercial rubrick that turds out tracks that slip onto A-Trak mixtapes and might was well do support tours for Tiesto. Even when they try for some kind of dub-steppy lo-end theorem with the “Cut Throat” instrumental or “Culture Shock”, it’s like they threw out Pro Tools and cut the record with a buzz saw.“ - IMPOSE
Death Grips are the singularly most exciting new thing we have heard in 2011. John Calvert asks Flatlander about their methodology, hip hop, Odd Future, California and mental illness. Image courtesy Death Grips.
Brutal, bodacious, ugly like twisted-metal, obnoxious as a shot-out kneecap, completely barmy. Lightning Bolt are great aren’t they? If only they made hip hop like that. And as if by magic… For a neat description of Death Grips’ ungodly racket you need only take a stroll through MC Ride’s diseased mind, essentially the de facto setting for the West Coasters' Exmilitary, the most scintillatingly confrontational hip hop album to emerge in years. Between foretelling divine wrath, blatting out nightmarish free associative imagery and remonstrating with nearby squirrels, the interfacial, disembodied MC Ride - a damned soul in a twisted bind - will proffer the odd phrase perfectly in step with the acid bath terror-ride unfolding around him. It might be in the context of eating a dead dog he found behind the house, but there’s something self-reflexive about talk on ‘Guillotine’ of “relentless raw movement” and “hidden art, between and beneath” or “serial number, killing machine…stomp music seriously!” - the later of which more or less nails it. Put’ em all together and you get the idea: murder spelt backwards is MC Ride and if pain be the great educator, it’s back to school with you. Guillotine… Yah!
Bona fide hip hop phenoms, MC Ride, Mexican Girl, Info Warrior, back-room tsar Flatlander and polymath drummer Zach Hill are collectively the masterminds behind what after three months of listening still seems like a freak occurrence in the genre. Exmilitary reboots the very form itself, engineering an unconstructed, wires-exposed killing machine for the despatching of rap’s moneyed dandies, and a constant, indeed relentless source of delight for extreme music fans. The purest affront on cashmoney culture you could conceive of, their incendiary mixtape outguns, outwits and quite simply puts to shame their domesticated counterparts in the trebly heights of chintzy Diamante-rap.
When you get an email that says INTENSE AVANT HIP HOP in the header you don’t think, you click on it and cross your fingers in hopes that it lives up to the claim. Sacramento crew Death Grips definitely does just that, for better or worse. “Guillotine It Goes Yah” and the accompanying Ex-Military mixtape proves that things really do go in cycles. The way that Bobby Brown was once amping like Michael, these dudes are amping like… um… maybe Dalek? Techno Animal? Anti-Pop Consortium? Atari Teenage Riot? (Google ‘em, kids… or don’t.) They’re definitely amping though, and with a very mid-to-late ’90s disposition. It harkens back to those golden days when we still thought the future of music would bring nothing but gltichy apocalyptic war cries, back before weed strains got better, everyone artsy signed up for Tumblr and subsequently fell into a collective nostalgic haze. The world may not exactly need a rap record at this pitch right now, but it’s refreshing to know that someone made it anyway. Angry and tormented rapping always wins.
Death Grips - The Fever (Aye Aye) from “The Money Store” out April 24, 2012 on Epic Records - so much love for this crew! My man Zach Hill, Stefan and Andy killing it.
Zach Hill will be heading to Asia for some shows in Korea and Japan. Joining him on guitar for the shows will be the one and only Carson McWhirter. Yes, those guys together again! check the video of them tracking the Zach Hill song Face Tat from the upcoming new album of the same name.
ZACH HILL feat/ CARSON MCWHIRTER Sep 16 - Bar Guess - Daegu/Korea Sep 17 - Vinyl Underground - Busan/Korea Sep 18 - Super Sketch @ Theater 0 - Seoul/Korea Sep 22 - Koiwa Bush Bash- Tokyo/Japan Sep 24 - Sunsui - Osaka/Japan ** Sep 26 - Huck Finn - Nagoya / Japan ** Sep 27 - O-Nest - Shibuya / Japan ** & soft circle