“Roman Vishniac often cut his negatives apart and seldom labeled them, so Maya Benton, the adjunct curator at the ICP who oversees the photographer’s vast archive, is accustomed to finding pictures she can’t identify…
Within a year, the entire...

“Roman Vishniac often cut his negatives apart and seldom labeled them, so Maya Benton, the adjunct curator at the ICP who oversees the photographer’s vast archive, is accustomed to finding pictures she can’t identify…

Within a year, the entire archive will be available online, shared digitally with the United States Holocaust Memorial Museum in Washington, D.C. Viewers will be able to upload comments, identification, and historical information, helping scholars to solve some of the mysteries that remain in those thousands of mute negatives.”

(via Taking Roman Vishniac Out of the Ghetto | ARTnews)

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