True
More you might like
Artsy girls give some creative ass head.
Worc
Truth right here. Some of the best nights were with art majors
cool techniques.
Us art (real artists, not “art hoes”) girls appreciate this post
What “art hoes” did to you? Lol
Not all but some of them take it too far. Showing all their ass and titties and paint a picture but the picture 75% covered w/ their ass and/or don’t know nothing about art -.-
Oh, okay.
I have nature, music, dossiér. This is how you spend your free time
“Would livery be too tacky? I see everyone is on the itasha trend atm”
A livery would be cool, an itasha could be too but it requires necessary research into that style and not some Sakura trees and a small anime girl on the window lol.‘Adventure Time: Marceline and the Scream Queens’ #1 Gets a Badass Baltimore Comic-Con Variant
If you’re heading to Comic-Con in Baltimore this weekend, get your sister Sandy and your little brother Ray and swing by BOOM! Studios’ booth, #2507, and pick up this exclusive edition of Mareceline and the Scream Queens #1 with “cover art by regular ADVENTURE TIME creative team and guests of the show Shelli Paroline and Braden Lamb.” The cover’s cool, and the issue’s guts are pretty good, too.
Thanks to a newfound interest in music, Princess Bubblegum joins Marceline’s paranormal rock band for a tour across the land of Ooo! But when they’re threatened by everything from scenesters to beasts born of self-doubt, can they make it to the RADDEST GIG EVER in time?! Written and drawn by acclaimed cartoonist Meredith Gran (OCTOPUS PIE) and featuring a back-up story from Jen Wang (KOKO BE GOOD)!
To Baltimore!
THE CARBON MAN by Serge Attukwei Clottey
Contemporary artist Serge Attukwei Clottey took his turn to perform at “The Studio” two weeks ago. The Studio is a space created by some of Accra’s creative minds to give opportunities to young indie acts to showcase their art to the world. At a time when finding local cultural spaces have become a headache for artists in Ghana, The Studio is stepping in to help reduce the burden of Ghanaian artists finding space to perform/exhibit. Many Ghanaian artists including Serge Attukwei have lamented on the lack/inadequate local cultural spaces in the country, and have suggested that young creative themselves take it upon themselves to create public performance spaces for their art.In support of the move by creators of The Studio, he used the space for a performance that confronts the issues of Migration (especially Black people moving to Europe/America), and prejudices that come with the movement, by using his personal experiences.
“How does one re-construct familiar experiences when displaced? How does a subject negotiate their own baggage of cultural biases and prejudices with anxieties of belonging when in a foreign environment?
What are the psychic and/or physical barriers a subject needs to break through in order to assert themselves in a place of unfamiliar elements? What are the power relations this displacement produces?
Serge Attukwei Clottey deals with these questions in his performance “The Carbon Man”. The artist places his body in the anxious state of a subject inflicted with a crisis of identity who attempts to re-imagine what brings them close to a sense of home; and a sense of self to be able to deal with the prejudices conferred on them due to the act of migrating from one location to another”
Photo Credit: Francis Kokoroko
Performance Text: Kwasi Ohene Ayeh