It is fitting, then, that the first actor Mr. Lee shot that way was himself. The double-dolly shot is not just his signature because, like him, it is brash, blunt, divisive and innovative. Its form also mirrors the bravado and unflappable determination of Mr. Lee’s unyielding career. “I knew I was going to be good before I ever went to film school,” Mr. Lee said, signing his last poster and settling into an armchair.
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