Cello Concerto In E Minor Op. 85: I. Adagio - Moderato [excerpt] - Edward Elgar
Cello: Jacqueline du Pré
Conductor: Sir John Barbirolli
Orchestra: London Symphony Orchestra
This is the one.
Click here to listen to: IV. Allegro-Moderato-Allegro ma non troppo-Poco piu lento-Adagio
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#Elgar #Cello #Cello Concerto #Elgar Cello Concerto #Jacqueline du Pre #John Barbirolli #London Symphony Orchestra #Daniel BarenboimCello Concerto In E Minor Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo - Poco piu lento - Adagio [excerpt] - Edward Elgar
Cello: Jacqueline du Pré
Conductor: Sir John Barbirolli
Orchestra: London Symphony Orchestra
Incredible Cello playing!! Ah she’s so good!
Click here to listen to: I. Adagio - Moderato
Cello Concerto No. 1 in C major, Hob.VIIb/1: III. Finale (Allegro molto) - Franz Joseph Haydn
Cello: Mstislav Rostropovich
Conductor: Gennadi Rozhdestvensky
Orchestra: London Symphony Orchestra
My favourite movement from maaaaybe my favourite Cello concerto? The master of the Cello!
Cello Concerto No. 2 in D, Hob. VIIb/2, Op. 101: III. Rondo (Allegro) - Franz Joseph Haydn
Cello: Jacqueline du Pré
Conductor: Sir John Barbirolli
Orchestra: London Symphony Orchestra
This final Allegro is a Rondo revolving around a bright pastoral tune of an almost childlike simplicity. The cello moves through the musical landscape with jaunty rhythms and intricate passagework. On its second entrance, the pastoral theme appears in a minor mode, which gives the soloist an opportunity to perform ascending arpeggio-like figurations leading to another cadenza. The main theme regains its sunny nature for a last appearance, which surrounds virtuosic passagework for the cello. However, there is more to this movement than a fanciful blend of pastoral motifs and flashy virtuosity: the technically involved elaborations of the theme reveal musical ideas and feelings of remarkable depth and intensity.
…pretty much every Elgar Cello Concerto video I watch, there are ALWAYS comments about how either
“Jacqueline du Pre OWNS this concerto, she patented it and everything”
OR
“This is SOOOO much better than Jacqueline du Pre’s version! DON’T HATE”
Why can we not just e.n.j.o.y whoever is performing the concerto, instead of comparing them to a Cellist from a different generation! If I was a Cellist, not only would I be super nervous about tackling a huge piece of Cello repertoire and the fact it’s so bloody difficult, but I’d be so bloody scared that I would never be able to “play it to Jacqueline’s standard” - it’s ridiculous!
To Cellists out there: Don’t be scared of the Elgar because a Cello Goddess played it to perfection years before you were even born…like, no, don’t be silly.
#RantOver
-Jacqueline du Pré, Sir John Barbirolli, Jacqueline du Pré & London Symphony Orchestra, Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto-
Ohh my
Camille Saint Saens - Cello Concerto No.1 in A minor - Jacqueline Du Pre
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Edward Elgar
Cello: Jacqueline du Pré
Conductor: Daniel Barenboim
Here it is <3
Cello Concerto in A minor op. 129, Movement I: Allegro Nicht zu schnell - Robert Schumann, performaned by Jacqueline du Pre
My best friend Charlotte is an incredible Cellist, and has learnt this piece. That’s how I discovered it. Of course, Jacqueline du Pre plays it perfectly. Great way to start off Schumann!
Cello Sonata, Op. 99: IV. Allegro molto - Johannes Brahms
Cello: Jacqueline du Pré
Piano: Daniel Barenboim
(Page Turner: Pinchas Zukerman)
Amaaaaaaaaaaaaaaaaaaaaazing.
Hours of playing through potential repertoire and many glasses of wine later, I decide to sight read something (@pavascotti_87 what was this?) with many notes (most of which were made up!) and turned the camera on last minute! More to come in future for sure!
🎹🎶🎼🎤
#piano #classicalmusic #italian #aria #singer #singing #tenor #practicepracticepractice #practicedaily #musician #duet #instaclassical #opera #concert #orchestra #flute #clarinet #collaboration (at London, United Kingdom)
