“Before Midnight” opens at the Tribeca Film Festival on Monday, and if you can go, you should. The film is allegedly the final of Richard Linklater’s trilogy about two strangers who meet on a train and spend an unforgettable night together in Vienna. “Before Sunrise” led to “Before Sunset,” which finds the couple, Jesse and Celine, reunited after nine years with the realization that finding someone you are truly comfortable with is extremely rare.
This film jumps forward another nine years, this time with Jesse and Celine together on vacation in Greece. Their easy banter is still there, but there’s an underlying tension: Jesse feels guilty about being an absent father to his son, who lives in America with his ex-wife, and Celine seems to be giving into a sense of fatalism about their relationship.
Jesse and Celine continue to be the most realistic couple in film. It’s hard not to identify with or see a little bit of something you’ve experienced in your own relationships on the screen–especially at the climax of the film when a romantic night out is suddenly derailed by an ever-escalating argument. It’s the most realistic fight I’ve ever seen in a movie.
But the thing that has stuck with me since seeing the film about a month ago is the movie’s larger theme: Is love meant to be forever? Early in the film, Jesse and Celine dine with a handful of couples who speak of their breakups as inevitable. Across the table, a widow offers a line that’s hard to forget: “We appear, and we disappear, and we’re important to some, but we’re just passing through.”
In some ways, that line is a comfort if you’ve ever had to part ways with someone you thought would be in your life forever. But ultimately, it’s also very sad. When you love someone, it’s hard to think of them with someone else. Ultimately, there are no easy answers to the question of whether love is meant to last–and it’s that tension that drives the film and makes this couple so worth watching 18 years later.