"‘The Great Acceleration: Art in the Anthropocene,’ curated by Nicolas Bourriaud, casts human subjects as both increasingly ghostly, stressing limitations and finitudes, as well more aligned with the organic, strange, and sensory. In other words: both more dead and more alive. These qualities have been thrown into relief by the ascendance of the machinic technologies and algorithmic logics that have come to condition much of our activity and attention."
— Art Agenda reviews “The Great Acceleration: Art in the Anthropocene”
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