For nearly seventy years, music graphics have been instrumental in documenting and helping to define the evolution of both the musical landscape and popular culture. Even now, as the music industry struggles to cope with new formats and profit demands, design for music continues to be a hotbed for innovative and experimental graphics and typography. Much like its close relative, book jacket design, the appeal of music graphics for most designers lies in its ability to bridge the gap between art and commerce.

Since the convenience of the digital download has yet to pair with a captivating, downloadable equivalent of the CD package, bands and labels have in turn amped up their online presence, resulting in some truly noteworthy design. Ed Mullen, with his collaged approach for bands like Blanche, manages to cleverly combine the simulated tactile appeal of print with the added attraction of interactivity, to truly engaging effect.

Sub Pop Records, USA

Stefan Kassel Design, Germany

Form, UK

karlssonwilker inc., USA

Patent Pending, USA

Excerpted from 1000 Music Graphics by Clifford Stoltze