Deepwater Horizon (dir. Peter Berg).

[It] delivers and works best at making the viewer angry. No doubt the action-oriented dramatization of the real-life drama and disaster uses narrative filmmaking to make the story more fluid, but it remains authentic feeling to the disaster while giving it a more direct human context and point of view. The destruction is beautifully filmed while Berg pulls the emotional drama by the end in a rousing fashion. His sharp eye makes narrative and human sense of the chaotic situations and fiery violence.

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