Maudie (dir. Aisling Walsh) x VIFF 2016.
In small moments, Maudie often feels like a darkly comic film about lonely souls as Maud slowly and accidentally becomes a prominent figure in the Naïve Art movement by using painting as a means of therapy for an otherwise tragic, solitary existence. [Sally] Hawkins’ physical performance is exceptional and frames the real-life artist with enough character, drama, and wit to flesh out her meek but purposeful motivations and actions while wrapping her disabilities and sadness into an appropriate historical context.
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