Baby Driver (dir. Edgar Wright).

[It’s a stylish, well-crafted joyride full of Wright’s A-plus cinematic sensibilities. It’s wholly fun and celebrates the art of the moving image, fast cars, and genre filmmaking superbly. However, it does lean toward being a more hollow journey filled with the usual action movie conventions. The film’s standout, like most of Wright’s films, is the flawless editing from shot to shot all choreographed perfectly to the film’s eclectic soundtrack and song lyrics. This cements it as a total cinematic rush.

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(via thefilmstage)