light and geometry interventions by Javier Riera 

Spanish artist Javier Riera produces what he calls “light and geometry interventions” on landscapes.  Using powerful light Riera projects geometric patterns on to natural vistas.  The projections can appear to transform a treeline into a two dimensional plane.  At other times the light seems to add strict geometric shapes to the wilderness.  The light and patterns disrupt the perception of the view they cover.  Riera’s transposing geometric patterns onto natural scenery partly alludes to language, matter, and the way the two interact.

Bunch   |   http://bunchdesign.com

"Constructed from Gridnik – the logotype’s uppercase sans-serif letterforms, 45-degree corners, monoline weight, structure and geometry, as well as its compounded nature, all point towards a straightforward and confident technological efficiency and neatly reference the designers that make up Sebazzo. The characters are well spaced, balanced by a central A and executed with a single black ink print treatment that provides a distinctive contrast to the more expressive and tactile sensibilities of the stationery."

Bunch is a leading creative design studio offering a diverse range of work, including, identity, literature, editorial, digital and motion. Established in 2002 with an international reach, from London to Zagreb, Bunch has an in-house team of specialists to deliver intelligent and innovative cross-platform solutions of communication design.

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SEBAZZO

Constructed from Gridnik – the logotype’s uppercase sans-serif letterforms, 45-degree corners, monoline weight, structure and geometry, as well as its compounded nature, all point towards a straightforward and confident technological efficiency and neatly reference the designers that make up Sebazzo. The characters are well spaced, balanced by a central A and executed with a single black ink print treatment that provides a distinctive contrast to the more expressive and tactile sensibilities of the stationery.

The diagonal cut of the bright and pastel boards that make up the business cards create a striking but restrained dual tone and subtle dynamic aesthetic that feels like a simple but effective distillation of a two-man studio which compliments the ideation of the name and neatly splits the logotype into its two constituent parts. These are neatly unified by the tactile and crafted qualities of their paper marquetry construction.

The letterhead and compliment slip are absent the detail of the marquetry process, their full bleed colour palette and angle ties in well with the cards and continues to split the logotype.

By Bunch
Printed by Cerovski.
Text by Richard Baird.

Two summers ago I spent some time working under a magazine art director, and he assigned me a personal project to design a series of items for a resort. I designed and mocked these all up in Illustrator.

Free Colorfull Triangle Typeface by Sanid Jusić

Macula by Baron von Fonthausen is a typeface inspired in Penrose triangle.