That, in essence, is how Father James spends what may be his last week: trying to discern in each encounter, in each situation, what is needed, what would be most helpful, or at least what would do the least damage. It is not an easy task, for while many people may need him, almost nobody wants him. He is a bit of a therapist, constable, assistant, marriage counselor and sounding board. At times, he is even a priest; he is also a literal father, with a troubled adult daughter (Kelly Reilly), for he is a late vocation and a widower. Making things worse rather than better, Father James shares pastoral duties with a younger priest who is alarmingly negligent with the seal of confession and queasily ingratiating toward a local tycoon who may make a sizable donation to salve his own conscience. Eventually, Father James matter-of-factly slaps his assistant priest with an indictment as blunt and dismissive (though not so dramatic) as Thomas More’s damning line to Richard Rich midway through A Man for All Seasons (“Richard, you couldn’t answer for yourself even so far as tonight
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