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Dreaming of you

@aphonicdreams / aphonicdreams.tumblr.com

Ilinox. イリ. Dreamer. Romantic. Wistful. This is a multi-fandom personal blog. Includes otome games, drabbles, art, music, food, and animals. Beware the TL;DRs. My personality in a nutshell HERE. TWITTER
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“book lovers” don’t love anything about books and it’s weird (or, defending classic novels)

kevin durant is talking about basketball fans but you’ll understand exactly what he means in a much broader sense if you’re on the basketball side of twitter and immediately recognize the mindset he’s describing — that it’s a sentiment that isn’t really about basketball fans at all, but about how we engage with all sorts of things especially in the social media era. but this tweet is just table-setting. the important thing here is that the rest of this post, about many writers and english teachers and book bloggers and overall people who describe themselves as book-lovers on the internet, can be summed up as a caption to this screenshot that just says “same energy”.

same energy. many writers and supposed booklovers on the internet actively dislike and disparage most literature. and actively dislike and disparage the entire literary tradition of the novel, and the novel as a form, and all the tools or frames of engaging with art, and many of the writers or novels known for beautiful writing, and the books that made up the history and development of the medium and inspired so many more of its writers and inspired stylistic shifts, so much fundamental context for any kind of novel… i’m losing my thread here but the point is, many people who describe themselves as book-lovers, many of them authors themselves or english teachers, will proudly and vocally announce their dislike and hatred of so many classic novels. often what seems like almost all of them.

and will not just proudly say so, but won’t shut up about it. and will bring it up constantly among themselves. it’s not a one-off thing either, this comes up con-fucking-stantly in what feels like almost any conversation about literature. often fully unprompted. and will somehow pretend it’s an original insight and that they’re being bold and brave and controversial and starting a conversation for saying it, when it’s all been discourse every two months for as long as an online commons has existed, and when we all know they got that take from endless cycles of online discourse, and when the reason they say it is because they know people will agree with them, because we’ve seen how that plays out a million times already, b e c a u s e so many other people who like to imagine themselves as brave bold original thinkers for having picked up that opinion in a previous online cycle themselves will respond enthusiastically through some kind of collective pretense that it’s a new conversation.

that’s part of it too, everyone involved in that discussion collectively performs some kind of amnesia where this is a take they’re hearing for the very first time, and speaking a truth they’ve always thought but never felt like it was socially acceptable to say. because that way, you get to feel like an original critical thinker without having to do any critical thinking, or to feel like you have a superior understanding of a piece of media without having any media literacy. and you get to feel some self-flattery about your superior insight for having the originality and courage to believe what is now a pretty mainstream view — maybe not mainstream among literati, but absolutely mainstream in the online commons, enough that you know many people agree with you already because you’ve seen the same agreement and mutual self-congratulation play out in a million online cycles already.

(it feels very disingenuous. maybe it’s not consciously and intentionally disingenuous, maybe it’s just a lack of self-awareness, but it’s like.. you know how we could say a great joke at a family function that we once read on the internet, and they wouldn’t know and would just think you’re just that witty for coming up wiht it? like that, except we’re all on the same internet and we’d all read the same joke already but we all have to pretend we’d never heard it before so we don’t break kayfabe, because that way you can convince yourself that nobody else had seen it before and they all thought you were witty. everyone just performs the exact same roles every time discourse about any given book happens every 2-6 months on the internet. next time, can we all at least not pretend like this isn’t the 26th time we’ve seen this conversation and spare all the “FINALLY someone said it!” “someone needed to start this conversation!” schtick? is that too harsh?)

but anyway. the thing is, alright. if you think jane austen is boring. and that the great gatsby is overrated. and also that the bronte sisters’ books were super problematic (bc heathcliff and rochester with mad wife in the attic are both kinda misogynistic). and also that hemingway is boring posturing. and catcher in the rye is overrated (because the abused kid processing his brother’s death is “annoying”). and that shakespeare is too old english style to be worth reading.

and that only pretentious wannabes read tolstoy or dostoevsky. and as for ursula k le guin or isaac asimov or philip k dick, sci-fi is a boring genre. and that nabokov is weird and kinda suss, and kundera seems like he has an ego and philosophizes too much (will claim to have liked one hundred years of solitude tho bc that’s still seen as fashionable). and only pretentious hipsters read david foster wallace or pynchon or franzen. none of them seem to remember that edith wharton exists. some quote george eliot as another white man, or just don’t mention her at all.

and never even mention chinua achebe or toni morrison or james baldwin or arundhati roy. and — this is something i actually saw being said on twitter in conversations between english teachers, authors, and people who call themselves book bloggers — say “kazuo ishiguro is only read by white people who want to feel smart but is actually full of weird stuff” while including a screenshot from a haruki murakami novel. even though ishiguro and murakami write very different books in very different styles, one has lived in the uk his whole life and his best known books are all set in the uk while the other is a japanese pop writer, and they have very little in common aside from a kinda sparse prose style and being ethnically asian…

at that point, do you even like literature?

having a few or couple of those opinions is one thing, people’s tastes vary and i don’t expect everyone to love every supposed literary classic, i’ll admit to not enjoying ‘a separate peace’ at all — but so many writers online proudly announce pretty much all of this. and it’s usually not even with specific justification about the specific author or book, just broad strokes commentary. a lot of it seems to be half-remembered from bored high school years, books where they barely remember what even happened during them but retained their opinions on them with full unwavering confidence, a lot of the comments that sound like someone who’s only vaguely heard of the book and not even to the level of reading the wikipedia page to check, who misunderstood the main themes and seems to not have tried to critically engage with it at all.

honestly, i know most people online’s clever opinions about books are just regurgitated from the internet. i’m pretty convinced this applies to 80% of all mentions of the catcher in the rye online, for example. fuck it, here’s the screenshot of the ishiguro/murakami incident i mentioned a couple paragraphs back:

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OSBORN: People all have a need to confide in others, but it's enough to just listen and give appropriate consolation. There's no need to be affected by other people's emotions

[MC]: But when this sort of situation happens on someone I care about then it's impossible for me to stand by and do nothing. Osborn: Someone who truly deserves your car won't make things hard for you

OPTION 1

[MC]: That's the theory, but it's a bit hard to do. You won't be tempted to do something? Osborn: I'll give as much concern as I can, but if it's keeping them company then I'll choose to leave that for an important person

OPTION 2

[MC]: I feel like I need some insensitivity, because being too sensitive makes me really tired. Osborn: I'll teach you a move, when you're being treated as an emotional trash can, you can use going to see me as an excuse to leave

First, I just want to gush about falling in love with Osborn all over again because of this Tea Break Moment. He's such a calm and mature partner and he often gives the best life advice.

Second, it's interesting how you can read Option 1 in two ways. He either means that the person who needs company can find it from their own important person and not Osborn, or Osborn will only keep his important person company and not anyone else (his partiality is overwhelming LOL).

Third, Option 2 makes me want to wail at how Osborn is so willing to be the "bad person" for you and it reminds me of I Love You 115 (12) that I wrote.

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OSBORN: Lately, whenever I casually dig around in my jacket pocket, I'll be able to pull out a snack

[MC]: The nuts we bought yesterday are also tasty, it's too bad you aren't wearing clothes with pockets today. Osborn: But the ones you're wearing have pockets, why don't you rummage around too?

Your honor, they love each other so much that they think the same thing about placing snacks in each other's pockets as a happy surprise for the day.

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[Osborn SSR Nightmarish Shadow]

Part 1 - Jungle

Part 3 - Instinct

The beast series cards are interesting, because they all share the same format that I've noted above, where one branch talks about the animal itself, one branch gives character exposition, and the last is the guy "cosplaying" as the animal somehow.

The character exposition part is where I think these cards shine and why, if you can afford them, you should grab these cards because they summarize the development in the men from the beginning of the game to now, including their relationship with the heroine!

In particular, Osborn's card is my favorite of the series so far, and he's my bias too, so I wanted to share his card with everyone. "Part 3 - Hiss" and "Part 4 - Going Home" is what I recommend for everyone to hear though. The first two parts introduce the setting of this card, basically Osborn got invited for a jungle photo shoot.

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