duosion:

I think I just had a religious experience

hey read this

so!! whats up, in case u forgot im remi seragakikin & ive been away from this blog for a while bc i realized theres a lotta shitty people also i wanted to get away from a few folks. i got over that for the most part so here i am, getting the metaphorical band back together. yep, im gonna revive this blog as a dmmd/rt blog because i mean why not i dont rb any dmmd or rt on my regular blog and theres a few other reasons i wanna keep this blog up but those are irrelevant. so!! yeah just letting u know that im gonna be posting on here again starting next week!!

zh | Artist: ✧*｡٩(ˊωˋ*)و✧*｡ | Posted with Permission

For those with exams coming up and you know it’s too late to do anything about it

These two parallel scenes, with the same van and the same halt and the same spot, are more important than we all let out, and I feel like they’re more important than any other scene in Story For Steven.

They represent Greg’s choice to stay, not necessarily for Rose, but for Beach City.

The first scene is dark and isolated, Greg is alone with Marty and Marty is insulting him. He doesn’t use Greg’s name and he uses ‘kid’ as an insult to him. Marty doesn’t care about Greg and he represents the choice Greg didn’t take, the one to be a rock star under a phony management, chasing thrills and not making any connections, not because that’s what Greg wanted, but because Marty did. Marty didn’t see people as people. he saw them as commodity, opportunity, and this is what he wanted Greg to choose.

But Greg didn’t choose that, he chose Rose and Beach City, and while financially it might not worked out best, it was definitely the right choice for Greg. The scene isn’t dark anymore even though it’s nighttime (yeah the light is from an alien threat, but still, it’s symbolic) and instead of being alone with Marty to look at him, he’s not alone. First of all he’s with Steven, the result of his relationship with Rose, the representation of his choice, and secondly there’re many people, his friends, looking out for him this time, instead of one person glaring at him. Mr. Fryman doesn’t talk down to Greg either, he uses his name, and shows that he cares. He uses ‘kid’ as a concern for Steven, and not as a way to look down on the Universes.

These 2 minutes worth of scenes in both episodes are what Story for Steven is about for me, not about Greg’s relationship with Rose. As sweet as it be, that relationship is yet to be explored beyond its beginning.

{♚} Send help she’s gorgeous! ☆ 

Do you ever just cry [Find the shirt here!!]

By Min

RWBY IN SUITS AND SHIRTS YUP I’M DONE SO SO DONE GOODBYE

my cat was sitting in the middle of a rainbow I thought it was cool

[Translation; DMMd] 俺オマ！by Keizou

AKA THE ONE WHERE MINK AND AOBA SWAP BODIES

it’s short, but amusing nonetheless so

俺オマ！by Keizou from the DMMd Comic Anthology Vol. 2 translation and scans and shitty cleaning/editing: mayonaka-hibiki

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damn anime inspired workouts

just gonna leave these here for all the weeaboos, otakus and anyone else (myself included) in need of an at home workout 

Is it bad that this will probably actually get me to work out

This would make me work out for like ten seconds before giving up and just watching the damn anime instead ok