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All About The Romanovs

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ไทย, อังกฤษ,รัสเซีย
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16-year-old Prince Vladimir Pavlovich Paley & his tutor, 1913

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30 Day Romanov Challenge - Day 5 : Favourite Grand Duke or Prince.

Prince Vladimir Paley (It was a hard choice because I admire many Grand Dukes of the Romanov family but I wanted to enlightening a favourite of mine who is often forgotten.)

Prince Vladimir was the son of the Grand Duke Paul, youngest son of Emperor Alexander II, and of Olga Valerianovna Karnovich, the daughter of a chamberlain in the Imperial Court. The mornagatic marriage of his parents prevented him from being considered a member of the Romanov dynasty but when you learn about him and his life you understand he deserved more than certain other members of the family to bear the name of Romanov.
He was an amazing gifted man, among music, painting he was primarily a poet, he impressed those around him with his extraordinary talents. It was particularly astonishing to see the natural and abundant way in which harmonious, bright verses flew from him. He learned quickly to play the piano and other instruments, and revealed most remarkable skills for drawing and painting. He learned to read and write with similar ability in French, English and German, and later in Russian as well. At a very early age he astounded people by his extensive reading and his extraordinary memory.
The Grand Duke wanted his son to follow the dynastic tradition of an army career, and in 1908 Prince Vladimir became a student in the Corps-des-Pages, the Saint Petersburg military school for aristocratic youngsters. When World War I broke out, he enlisted in the army like many other young patriotic men. Despite his position as the son of a Grand Duke he risked his life on several occasions, fighting in dangerous places, he was promoted to lieutenant for his courage. Much loved by his comrades, some did not hesitate to protect him with their bodies. The October Revolution in Russia and the beginning of the Bolshevik regime marked the first steps of a lengthy calvary for all the relatives of the Tsar who had chosen to stay in Russia. On March 4th, Vladimir went to the Cheka office in Petrograd. He was received by Uritzky, who made the young poet an insulting offer:  “You are going to sign a paper saying that you cease to regard Paul Alexandrovich as your father, and then you will be free at once; if not, you will sign this other paper and that will mean exile.”
That was his last ticket to life, but Vladimir was a man of principle. Despite the fact that he was boiling over with rage, he didn’t answer and just kept his gaze firmly fixed on the Bolshevik commissar. Uritzky must have seen such a look of reproach and contempt that he said brusquely: “Very well, then, if that’s how it is, sign your sheet of departure into exile.”
He was atrociously murdered on 18 july 1918 with other member of the Romanov Family Grand Duchess Elizabeth Feodorovna, Grand Duke Sergey Mikhaylovich, Prince Ioann Konstantinovich, Prince Igor Konstantinovich, Prince Konstantin Konstantinovich and Sister Varvara Yakovleva, Fiodor Semionovitch Remez. He was only 21 years. He seemed called to become one of the great characters of Russian literature. An incredible man. Incredible.
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"Volodya was an extraordinary being, a living instrument of rare sensitiveness, which could of itself produce sounds of startling melody and purity, and create a world of bright images and harmonies. In years and experience he was still a child, but his spirit had penetrated into regions eached only by a few. He had genius…” Grand Duchess Maria Pavlovna “The Younger” Vladimir step-sister

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Prince Wladimir Paley 

One evening in Petrograd, already given over altogether to Bolshevism, Vladimir was declaiming his verses in the home of the demoiselles Albrecht. A great Russian artist, Mme. RostchinaMsarova (Countess Serge Ignatieff), who was there, murmured as she looked at him:

  "It is not possible… he will not live… . When one is gifted with such genius, with an inspiration so pure and so beautiful, one cannot have a long life… ."

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Christmas Hymn by Tsar Nicholas II

"Like the cypress’ wavering shadows, That deepen the evening gloom, Our sorrows, deepening ever, Foretell the waiting tomb. Our joys seem born at midnight, To bloom in the darkest hour, When we seek to grasp them, they vanish Like shadows defying our power."

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On the 400th anniversary of the founding of the dynasty, RBTH explores the divided legacy of the Romanovs.

History man: images from Vladykin’s book show Anatoly Gomzikov and the cross he erected where the Romanovs were killed Photo: Alexei Vladykin

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By Alexander Morozov, Special to RBTH

7:55PM BST 05 Sep 2013

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Find more stories at RBTH on the Telegraph

How do modern Russians view the royal legacy and the last tsar, Nicholas II? Public attitudes have undergone several shifts since the collapse of the Soviet Union two decades ago, with the most recent studies showing an increase in appreciation of the monarch.

A poll of 1,600 Russians, carried out in July by Moscow’s Levada Centre, found 48pc viewed Nicholas II positively.

He still trailed Soviet-era leader Leonid Brezhnev as Russia’s most popular 20th-century head of state, and was marginally behind Lenin and Stalin, but ranked far more highly than either Boris Yeltsin, independent Russia’s first president, or Mikhail Gorbachev, the last Soviet leader, who polled 22pc and 21pc respectively. Nicholas also had the lowest negative rating.

The consecration of the Church on the Blood

Fighting over history

Russian historians were recently asked to develop a cohesive – or as President Vladimir Putin put it “consistent” – history of Russia for use in school textbooks. How Nicholas’s rule will be judged is not yet clear. Consequently, the 400th anniversary of the founding of the House of Romanov is being celebrated quietly, without a major cultural or official programme. At the same time, the Kremlin has opted for prominent commemorations of another jubilee, the centenary next year of the start of the First World War.

Russia has yet to reconcile fully with its past and its history is still a battlefield. But perceptions of the last tsar already look different to those found in a survey in 1994 that asked which past leader could be regarded as a true Russian patriot. Only 5pc of respondents chose Nicholas II, who did not even make the top 10.

Public assessments immediately after perestroika focused mainly on the human fate of Nicholas and his family, with people seeing in this tragedy a harbinger of the entire subsequent history of Soviet repression and mercilessness, even toward children. There was no great interest in his rule. His image as a melancholy and politically weak leader went unchallenged.

Royals in the news

As the Nineties progressed, Nicholas took on new meaning. Society became more divided after Yeltsin’s election to a second term in 1996 as hopes dissolved for rapid integration with the West following the collapse of Communism. The tsar became an important symbol for the conservative opposition, who regarded him as a sacred figure protecting the Russian people and their faith from a godless Western civilisation.

Nicholas’s political actions were interpreted within the framework of a global fight to preserve the only true Christianity, the belief in Russia as the “Third Rome”.

The royal family were discussed in the press throughout the Nineties after Yeltsin formed a commission in 1993 to identify their bodies. The commission operated for five years, and numerous arguments and assessments were silenced only by a ceremonial government burial of the remains in 1998. A part of the public continued to challenge the authenticity of the remains despite the commission’s verdict, an issue that remains unresolved.

For Yeltsin, Nicholas’s fate and historical image had a personal aspect. He was a Communist party official in Sverdlovsk (Yekaterinburg) when the decision was made to destroy the building, Ipatyev House, in which the royal family was shot. Although the site of the building has since been turned into a Romanov shrine by Anatoly Gomzikov, Nicholas became a less emotive topic after Mr Putin’s rise to the presidency in 2000.

A 2002 meeting in Kiev to remember the Tsar’s family

The president inherited a fractured society from Mr Yeltsin and tried in his first term to put a symbolic end to the long Russian “civil war” of the 20th century by reconciling the “Whites” and the “Reds”. On one hand, he restored the old Soviet anthem; on the other, he associated with author Alexander Solzhenitsyn, who had monarchical leanings, and reburied in Moscow’s Danilov Monastery the remains of White generals who had died in exile.

Politics and memory

After 2005, the Kremlin sought to assemble a pantheon of symbols of Russian greatness. In it were placed medieval military commander Alexander Nevsky; Stalin; Lenin; cosmonaut Yuri Gagarin; the most popular Russian saint, Seraphim of Sarov; and Second World War hero Marshal Zhukov. Nicholas II was also in this pantheon. The attempt to give a more cohesive, patriotic account of the past turned out to be more successful than during the Yeltsin era.

But reaching this point was costly. In the second half of the decade there were many TV discussions on the greatness of Stalin and his generals. Nicholas II – as the last emperor, as the symbol of a special understanding of Russian power – does not now stand out from other Russian rulers as a controversial figure, despite the tragic circumstances of his demise.

Discussion in Russia’s media focuses more on the victory in the Second World War and the role Stalin played in it than the economic progress made during Nicholas’s reign.

Russia remains deeply divided over the consequences of the overthrow of the tsar. For 70 years, Nicholas and the idea of monarchy was seen in terms of class hatred. The Soviet collapse brought a resurgence of feeling for tradition among more conservative social groups, but little demand for restoration.

Public appreciation of Nicholas may continue to increase over time, but the reign of the last monarch marks a definite break in Russia’s history.

Read more at www.rbth.ru/28095

Source: fw.to
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(Click to enlarge) Part of a French poem copied by Maria Nikolaevna into a card for Christmas 1910.

Théophile Gautier’s “Noël” The sky is black, the land is white,  Bells merrily ring, Jesus is born - the Virgin gazes over his lovely face. 

He trembles on the fresh straw, this dear, tiny baby Jesus. And to warm his manger, The ox and donkey blow [their breath]. 

The snow sews a fringe on the thatch, But on the rooftop heaven opens And, all in white, the choir of angels Sings to the shepherds, “Noël! Noël!”

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