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Lycaboros

@lycaboros / lycaboros.tumblr.com

Writing, Comics, Art, Art references. COMMISSIONS OPEN
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suitdup

reblog to save a liFE

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jerkdouglas

Up to now, I have been drawing random generic suit jackets.

Never again.

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petermorwood

I don’t think it’s accidental that the English Cut suit seems to be worn by Mr Bond. ;->

And, though not shown on the infographic, don’t forget suits with double-breasted jackets, which have been in style for decades: here are examples from the 1920s to the 1970s.

After the ‘70s, that style faded away until it made a return in the mid-2010s when IIRC “Kingsman” caused a real-world uptick in suits for everyday wear.

*****

Also NB that the Tuxedo drawing doesn’t actually show a Tuxedo, unless it’s an American terminology with which I’m not familiar. That’s a tailcoat, which has tails, is a coat and is worn with white tie.

A Tuxedo (over here, a dinner-jacket) is in the next panel, Black vs White Tie, and doesn’t have tails, is a jacket and is worn with black tie.

Wearing the wrong thing can lead to confusion, whether accidental or snarkily deliberate.

(The link to YouTube keeps dropping off this post. If it goes away again, the clip is here. A longer version with a fuller development of what’s going on, is here.)

Interesting side-note, the tuxedo / dinner-jacket was a development of the old smoking jacket, and its name in many Continental European languages - French, German, Italian, Spanish - is still “der / le / lo / el smoking”…

*****

Downton Abbey” and “Jeeves and Wooster” are good sources of info for how these looked when worn regularly at their set times of day, rather than just on special occasions as nowadays.

Hugh Laurie as Bertie Wooster gets excellent mileage from his tailoring, wearing it properly as clothing not costume, and looks at ease in formal attire even when his only (IIRC) white-tie appearance is in the dock of a magistrate’s court.

Even so, he seems much more comfortable (and hangover-free, mostly) in everyday suits which, though somewhat dated in details, would still look good today.

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omgthatdress

learn you some menswear

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maudiemoods

What do you all study when you're doing art studies??

Heeeeeyyy, I love me a good fucking STUDY

for environments:

  • shot deck is a massive database of film shots searchable by grading, tod, shot type, characters and content! Studying from films really helps improve your values and composition as the shots are usually very carefully constructed! It helps you find ways to maintain realism while still packing mood and narrative into your work!
  • master paintings! I recommend the orientalists like Jean Leon Gerome in particular their environments had great compositions and throw around a ton of colour and light! I like the modern artists Craig Mullins and Richard Schmid also, as there is so much impressionist lost detail and simplicity yet the environments feel so real.
  • The 1960s era disney background artists like eyvind earle are a masterclass in stylisation and simplification and make a wonderful choice for studies. (That being said modern disney visdev artists like Nathan Fowkes are just as fantastic to study for the same reason)
  • architectural photography can be a great resource too- I love to look for work by urbEX people!
  • thumbnailing and comp studies- trying to break down a photo into as few values as possible and still have it be readable- this really helps train your brain in the relationship between light exposure and local value.
  • Im begging you if doing it in colour is too hard to start with just do it in black and white!!!!! Greyscale painting is an essential step in learning to paint and understand lighting scenarios!! Colour is hard!!!
  • there is no substitute for going outside and doing some plein air painting- really looking first hand at how the light effects different materials and objects, how it bounces around, what edges your eye naturally loses in certain lighting scenarios. Just go outside and draw and try to notice stuff.

for characters:

  • figure studies!!!! from life if you can but if you cant there are a ton of great resources out there- personally I love croquis cafe and posespace, but if you can afford it (and are interested in intense anatomy study) then scott eaton has a site called bodies in motion which is fantaaaastic. I think by now everyone knows nyx and senshistock, I also use a lot of grafit studio photorefs to study more complicated poses!!
  • Master studies (again). I particularly like to study the work of John Singer Sargent, Joaquin Sorolla, Edwin Austin Abbey, Alphonse Mucha (his le pater compositions are out of this world), any of the New Rochelle artists (e.g rockwell, tom lovell, those 1950s illustrators REALLY knew their shit).
  • I literally have a resin skull on my desk that I've used to do quick studies with different lighting, just 10 mins a day back when I was doing it and it levelled up my skill a lot!.
  • Material studies are essential to leveling up your character painting!!! Look at fur, look at metal, look at the way something embroidered reflects light vs tooled leather!!
  • gesture studies! Look at a dynamic pose and see how you can exaggerate the motion in away that captures the sense of movement. This is tricky to start with but its really worthwhile especially when you combine it with other exercises. Mixamo is a cool library to look into for this kind of thing as you can pause and rotate the models in the middle of their actions!
  • breakdown the work of artists you admire- it's ok to study other living artists (and try to reverse engineer how they are making their decisions) it's a very effective learning tool! Really figure out what it is about that persons workflow you like, and how you might incorporate that element into your own. Obviously, dont post studies of living artists work!

The most important thing is that when you do a study you go into it knowing what you want to learn. Dont try to do everything at once! It's ok to focus on the muscle structure and not give a damn about the gesture. It's ok to focus on the texture of the fur and completely ignore the characters face.

The best way to keep doing studies is to find refs you like- things you are interested in and that capture your imagination! Follow your curiosity and remember that just a tiny little bit a day makes a huge difference.

Gunna take a sec to recommend the tutorials of Devin Korwin. He talks about how to study and how to breakdown art fundamentals in a way that is at once both very advanced but also digestible. I highly recommend his pdfs!

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starrythroat

Figured quick gem render recipe for myself, sharing bc why not

I needed a quick way to go from non-transparent grayscale, so here you basically start with bw non-opaque rock without details

"dramatizing" is just glare + gradient on some planes

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hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

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(image description: a watercolor painting of a creek that is mainly orange in color, with orange stone surrounding it and a single pine tree growing above stones on the right side of the image.)

Took a hike in a local park and brought my watercolors with me. I like how this one turned out!

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Novel Word Count Update:

BK: 23,056

SM: 3,768 ➡️ 3,995

JK: 1,981 ➡️ 3,110

Most recently written from SM:

What? Wait, ugh... My thoughts were actively tangling themselves together in my head. Every time I started loosening the knot, something snagged and yanked it back into a messy bundle.

Most recently written from JK:

Unfortunately, my progress was starting to slow as the wind whipped fresh clouds into the sky. Stinging pinpricks of snow whisked past my face and settled onto my fur. Soon enough I had to dodge into a small dumpster enclosure just to shake off and dry.
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Current writing project word counts:

BK: 23,056

SM: 3,768

JK: 549

All three are novels. I've been referring to them each by code initials to keep myself from trying to 'title' them too early, then feeling constrained by it. It's actually been rather freeing to do so.

Feel free to ask anything about any of my original writing projects! I'm gonna try and share them here more.

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reblogged

Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

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very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

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moonkitty

WHY IS DRAWING HANDS SO FUCKING HARD

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AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

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rubykgrant

you just gotta figure out how to do the mitten thing! (everybody does it differently, so whatever works for you)

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make a little mitten shape, a bump for the big thumb muscle, a line for where you want to knuckles to be (and where the fingers end), and you can work out how the hand does hand things~

you can make them more simple or more real, however you want! hands are weird, so don’t worry if they keep looking wrong for a while, once you figure out what works for you, it’ll click. If you practice like 10 or-so basic hand shapes, you can make slight variations on all those, and 10 turns into 20 different hand poses~

Good luck, you can do it, practice until you find your groove, hands are stupid, don’t worry if they don’t look right!

you are a fucking saint x2

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xladyg228x

I haven’t got a single speck of artistic skill in me but I will reblog for any artist that might find this useful

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My “draw the squad” memes so far

Updating with some newer ones!

@mexicanesecat @raimeyl references for y'all!

WOW! THE OG POST!

i will let my mind go wild with these knowing i’ll finally be able to credit the original artist

EEEE FINALLY THE ORIGINAL ARTIST

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embergeist

Oh hell yeah, going to use these later!

FINALLY! PINTEREST GO SUCK DICK WE FOUND THE SOURCE!

Pinterest is one of the reasons why I’m broke

You can also donate $10 and dm me for my original ref folders from like 2015!

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cowsabungus

A guide to designing wheelchair using characters!

I hope this helps anyone who's trying to design their oc using a wheelchair, it's not a complete guide but I tried my best! deffo do more research if you're writing them as a character

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end of the year - writeblr ask game ✨

anyone else in the mood to become chatty? feel free to send a number (or two) from the list below to the person who reblogged this! and then reblog yourself if you want to get some asks ^^

  1. what was your writing-highlight this year? what made it special and how will you reflect on it next year?
  2. what did not go so well this year? how do you feel about it and what is a positive thing you learnt from it?
  3. did you achieve everything you wanted to this year? if not, how will you go about it?
  4. what is your favourite line you wrote this year?
  5. what is your favourite book/story/poem you read this year?
  6. did you make any new writeblr friends? give a shout-out! if not, it's time to praise one of your old besties <3
  7. what are three songs you put on your WIP-playlist this year?
  8. what are three things you're looking forward to next year?
  9. create a meme or moodboard that captures your past writing-year!
  10. which character(s) turned out differently from what you had planned? how so?
  11. which scene was harder/easier to write than anticipated? why?
  12. if your character(s) had their own new years resolutions, what would those be?
  13. how did you change as a writer? did you learn anything new? started to plan instead of pants? share your wisdom!
  14. time for writing wrapped! what would be your top three used sentences?
  15. time for shameless self-promotion! answer with a piece of writing you want others to see/read! (if you have nothing posted/published this year, any other year is fine too ^^)
wishing you all all the best and may your writing-wishes for next year all come true <3 ✨
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