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JANJANBERRY

@slisrat

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Save Lovestruck of Voltage

As you know, Voltage Entertainment has decided to liquidate its SF office, and so our beloved Lovestruck romance app will be going away this March 2022.

However, these is a petition/campaign asking the writers to archive the existing stories to make them available through other means after that date. I have signed the petition and contributed, and I ask that you consider signing as well.

Maybe we can preserve the stories and characters we love, and get to know the writers along the way-as we prepare to follow their work in the future.

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Please help save our stories!

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10/15/21

1 pint gin

bottle of light wine

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feministism

4. If the car pulls up to you run in the opposite direction.

5. Walk with your keys in your hands and keep a key between each finger

6. If they put you in the trunk kick out the headlights

7. If you get lost find a woman with a child. Never ask a man for help (this one was drilled)

That scream fire piece of advice is literally life saving

8. Watch your shadows and reflections, especially if someone is walking behind you. A split second notice is better than none and will help you.

Yes this last one really saves lives y'all I do it all the time

9. Scream “don’t hurt my kids!” Instead because someone is more likely to help a child than an adult

If you’re grabbed, bite, go for the eyes, head butt them, wrench their fingers back, just do as much damage as you can.

But the most chilling piece of advice I’ve been given is if you’re grabbed, scratch and claw to get as much soft tissue from the attacker under your nails. For DNA matching purposes. I understand the logic behind it, but that’s a horrible bit of advice to be given.

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slisrat

Another thing I’ve read is to ingest as much material (carpet scrapings, wallpaper, etc.) so that these materials can be used to find/prosecute your abductor.

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You know that feeling when you want to get going, but this shitty loud world is getting to you and all you do is hide…?

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locker room motivation

andy on snl: there’s not much of andy here, but i laugh out loud at will’s dance whenever i watch this. and andy has told on the playboy interview this was one of the few times he broke on snl

32x16, march 2007

I read in an interview that Bill asked Will Forte to dance in his office so he could get used to seeing it and not break.

He broke anyways.

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Honestly I’ve never identified with something more in my entire life. Shout-out to my Quiet Gays™

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it’s so weird hearing americans talk about Target© as some kind of semi-religious holy space of reasonably priced goods and services, bc in it’s short, fever-dream existence up here in the frozen north it was… Not Good. 

in my experience with the three (3) i went to in the surrounding area it was. uh. you know when you step into a place and there’s nothing immediately noticeably wrong but you can just Feel that this is a Bad Space? like the kind of space where if you catch a glimpse of your mother walking down an aisle and turning a corner you know it’s a demonic trick and if you follow her it’ll lead you down a path to a dark space you can’t return from?

or you go in with your friend who’s right next to you but you get a text from them saying “hey i’m in the shoe aisle, you should come here” and you know it’s a trap from the devil? like other things:

  • only half of the dim, washed out, often flickering fluorescent lights were lit at any given time, usually only every-other set, leaving these valleys of darkness that made entire aisles inaccessible for fear of shadow people latching on to your soul like a dark passenger. 
  • entire sections were just Empty. empty shelves with no product, never any employees filling them up, no boxes waiting to be unpacked, no signs saying what should be there.
  • no employees at all actually? wandering around the store even though the parking lots were full and you walked in with a group of 20 or so felt so lonely. you could walk the whole place and it was dead silent and the only other “people” around always were several aisles away with their back turned, unmoving. there was always only one cashier and there was never anyone in her line.
  • there was never any music on or announcements played? another place that does this are all the dollar trees in my area and it gives me anxiety. i feel like i’m being hunted, like i have to hold my breath and listen for the footsteps of beasts in other aisles. 
  • the fitting rooms had a strange, dark energy to them. it felt like if you ever used them, whatever universe you closed the door on would not be the same one you stepped out into when you were done. the washrooms also contained this same dark energy.
  • passing the employees-only doors felt like wandering too close to a bears den. the glass windows never showed anything going on back there, no racks of product, no employees milling around. it was just pitch black, complete darkness. a hungry void.
  • leaving a target was the same disorienting feeling as leaving a dark theatre and exiting into the light. sound and colour and feeling rush back in. you feel like you can breathe again. a weight is lifted from your shoulders. you can’t remember any of the time you spent inside the target.

it is my sincere belief that the targets in canada never existed. the storefronts were put up, yes, but the stores themselves were vast empty caverns filled with dark dreams and sinister interlopers. passing through the automatic doors was meant to teleport us to the nearest american location, but something went wrong and we entered an unnatural zone halfway between the upside down and whatever it was that happened in the langoliers. 

i believe the balls outside target are carefully crafted and powerfully attuned magical artifacts that keep up the illusion known as Target©, but were incorrectly spaced in canada due to a mixup between the metric and imperial systems of measurement, and that is why the brief twilight zone episode that was canadian target collapsed virtually overnight.

Canadian Target = American Kmart

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The Good Place is a remarkably moving piece of media, particularly for today, because it takes the inherently nihilistic viewpoint that humans are the ultimate torture for other humans and turns that completely on it’s head, showing growth and character change in every character with brilliant and subtle writing while at the same time completely reversing what it first posits and suggesting that humans are what drive other humans to become better, and our attitudes are a direct result of our situations in life that we can consciously effect and change. It suggests that growth is a decision, not that we happen upon it. This is important, philosophically and optimistically, especially because it does all this while telling No Exit it is inherently flawed in how it sees humans and is entertaining, staying relevant and popular in today’s fast paced and constantly changing media. In this essay I will–

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