nemophilist

@cle-ganes / cle-ganes.tumblr.com

/nɛˈmɒ.fɪ.lɪst/ 1. One who is fond of forests or forest scenery; a haunter of the woods.
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whatagrump

might fuck around and turn into a cannibalistic worm/loose metaphor for the lie of upward mobility in modern capitalism. maybe eat some dirt, idk 

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eyla

I hate when I ask someone what music to put on and they’re like “lol just put on whatever”. Because everybody’s a gangster until Joanna Newsom’s sweet voice comes over the speakers. Like ya’ll don’t wanna listen to a 12 minute song about a meteor, you don’t like hearing about how mollusks have weddings, you don’t wanna hear a 5 minute history lesson about New York and how Washington Square Park was built on top of a burial ground???? My bad

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must a fictional relationship be “healthy” or “functional”? is it not enough to simply watch two made up people destroy each other, hand in unlovable hand???

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ahotknife

those westerns finally make sense now. it’s like honey i’m going into town. i’ll pick up sugar, flour, beans, salt pork, bullets, and kerosene. do you want a bolt of calico? some maple syrup? i’m taking the wagon i’ll be back in three days

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hedaslayer

“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.

Céline Sciamma on creating a new first kiss

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