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gold and mud

@yourealightagainmydear / yourealightagainmydear.tumblr.com

Linguistics, archaeology and psychology student. I'm interested in things.
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shitiunderline
Polar explorers - one gathers from their accounts - sought at the Poles something of the sublime. Simplicity and purity attracted them; they set out to perform clear tasks in uncontaminated lands. The land’s austerity held them. They praised the land’s spare beauty as if it were a moral or a spiritual quality: “icy halls of cold sublimity,” “lofty peaks perfectly covered with eternal snow.” Fridtjof Nansen referred to “the great adventure of the ice, deep and pure as infinity… the eternal round of the universe and its eternal death.” Everywhere polar prose evokes these absolutes, these ideas of “eternity” and “perfection,” as if they were some perfectly visible part of the landscape. They went, I say, partly in search of the sublime, and they found it the only way it can be found, here or there - around the edges, tucked into the corners of the days. For they were people - all of them, even the British - and despite the purity of their conceptions, they man-hauled their humanity to the Poles.

Annie Dillard, “An Expedition to the Pole,” from Teaching a Stone to Talk

(via

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#something of the sublime
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nobodyliveshereanymore
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onmybedeatinggrapes-blog
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.

Roy Peter Clark’s Writing Tools (via andrewwei36)

Source: robmacdougall.org
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cosmicpebble
“Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. This is where, I think, language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. It had to be easy when it was just simple survival. “Water.” We came up with a sound for that. “Sabretooth tiger right behind you!” We came up with a sound for that. But when it gets really interesting, I think is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is “frustration”? Or what is “anger” or “love”? When I say “love” the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain through their memories of love or lack of love. And they register what I’m saying and they say yes they understand, but how do I know? Because words are inert. They’re just symbols. They’re dead. You know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It’s unspeakable. And yet, you know, when we communicate with one another and we feel that we have connected and we think we’re understood I think we have a feeling of almost spiritual communion. And that feeling may be transient, but I think it’s what we live for.”

Kim Krizan, Waking Life (via cosmicpebble)

#actual magic#language#waking life
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Anyone who values truth should stop worshipping reason. We all need to take a cold hard look at the evidence and see reasoning for what it is. The French cognitive scientists Hugo Mercier and Dan Sperber recently reviewed the vast research literature on motivated reasoning (in social psychology) and on the biases and errors of reasoning (in cognitive psychology). They concluded that most of the bizarre and depressing research findings make perfect sense once you see reasoning as having evolved not to help us find truth but to help us engage in arguments, persuasion, and manipulation in the context of discussions with other people. As they put it, “skilled arguers … are not after the truth but after arguments supporting their views.”. […] Confirmation bias is a built-in feature (of an argumentative mind), not a bug that can be removed (from a platonic mind). I’m not saying we should all stop reasoning and go with our gut feelings. Gut feelings are sometimes better guides than reasoning for making consumer choices and interpersonal judgments, but they are often disastrous as a basis for public policy, science, and law. Rather, what I’m saying is that we must be wary of any individual’s ability to reason. We should see each individual as being limited, like a neuron. A neuron is really good at one thing: summing up the stimulation coming into its dendrites to “decide” whether to fire a pulse along its axon. A neuron by itself isn’t very smart. But if you put neurons together in the right way you get a brain; you get an emergent system that is much smarter and more flexible than a single neuron. In the same way, each individual reasoner is really good at one thing: finding evidence to support the position he or she already holds, usually for intuitive reasons. We should not expect individuals to produce good, open-minded, truth-seeking reasoning, particularly when self-interest or reputational concerns are in play. But if you put individuals together in the right way, such that some individuals can use their reasoning powers to disconfirm the claims of others, and all individuals feel some common bond or shared fate that allows them to interact civilly, you can create a group that ends up producing good reasoning as an emergent property of the social system.

Jonathan Haidt – The Righteous Mind (via frrrst)

#emergence
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aux-cable
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razorshapes

Yayoi Kusama’s Infinity Rooms

1. Infinity Mirrored Room - The Souls of Millions of Light Years Away, 2013

2. Chandelier of Grief, 2016

3. All the Eternal Love I Have for the Pumpkins, 2016

4. Infinity Mirror Room (Phalli’s Field), 1965

5. Aftermath of Obliteration of Eternity, 2009

6. Infinity Mirrored Room - Love Forever, 1996

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onlyintheory
“I didn’t learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn’t a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It’s also a source of hope. It means we don’t have to continue this way if we don’t like it.”

Kurt Vonnegut (via onlyintheory)

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shmilvi
A key component of the Spinster Mythos is financial independence — or at least the appearance of it. It’s very difficult to be a spinster when you can’t afford to live on your own, when you depend upon the income or the goodwill of others. This is why so many fictional spinsters are as wealthy as they are eccentric: it’s their money that allows them to behave strangely. Without money, without a home of your own, society will find a way to be beat the strangeness out of you. (It will still try even if you do have money, but then you can build a door of pearl and of onyx to keep society away from your house.) When I think of all the women — real and fictional — who simply could not afford to become spinsters throughout history, my heart aches. There should be a Spinster Dream Fund for women who need a small apartment overlooking a river or a cottage on stilts propped on the side of a mountain that is continually wrapped in fog.

Mallory Ortberg (via flowermaddened)

#spinster dream fund
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beliale
He was impervious to the rays of others, and therefore produced when off his guard a bizarre impression, as of a lone dark obstacle in this world of souls transparent to one another; he learned however to feign translucence, employing a complex system of optical illusions, as it were– but he had only to forget himself, to allow a momentary lapse in self control, in the manipulation of cunningly illuminated facets and angles at which he turned his soul, and immediately there was alarm.

Invitation to a Beheading, Vladimir Nabokov (via beliale)

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the-library-and-step-on-it
One Sunday afternoon, aged twelve, […] I watched on the little television Anthony Asquith’s film version of The Importance of Being Earnest. I vividly recall sitting on an uncushioned wooden kitchen chair, face flushed, mouth half-open, simply astonished at what I was watching and, most especially, hearing. I had had simply no idea that language could do this. That it could dance and trip and tickle, cavort, swirl, beguile and seduce, that its rhythms, subclauses, repetitions, clausulae and colours could excite quite as much as music. When Algernon says to Cecily, ‘I hope, Cecily, I shall not offend you if I state quite frankly and openly that you seem to me to be in every way the visible personification of absolute perfection?’ I wriggled and giggled and repeated the phrase to myself in disbelieving bliss. Enough times to commit it to memory there and then.

More Fool Me, Stephen Fry. (via the-library-and-step-on-it)

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