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Somewher to have them.

@sorda

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Do you like Squid Facts? 🔲Yes 🔲No

This valentines day, we thought you might need a little help from cephalopods to celebrate. Get a pack of 20 cards for your classroom, your coworkers, your neighborhood, frankly anyone who needs both a valentine AND a little bit of science to boot.

Get 'em here: https://squidfacts.bigcartel.com/

Proceeds benefit science education nonprofit Skype a Scientist AND the graduate student who designed these cards who is studying octopuses (Meg Mindlin @invertebabe!). Meg is trying to afford to get to a cephalopod neuroscience conference later this year and these cards will help her get there 🫡

They, of course, come with the classic heart stickers, a range of shades of pink and purple included.

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menoftiktok

Bearly Athens Pool Party 2023

first time I think I've seen someone with my shape body being admired.

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thetetra

I'm a cis het guy who is absolute man candy and I didn't know how much I needed to see this. I feel down right pretty.

It’s super affirming, isn’t it? Just seeing men with any body fat being specifically celebrated for their attractiveness.

I have a real hard time working up the courage to act attractive to my girlfriend who finds me wildly attractive and like it causes problems because I just do NOT believe in myself and I feel like I'm eternally not attractive despite a woman whom I love telling me otherwise... and this really helps

I read a lot of the replies to my posts and this is legit one of my favs.

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hachama

The duck print speedo is my favorite part. The whole video is great, and the joy and humor is part of the sexiness. But man. That duck print. I love.

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reblogged

I realized I never posted these here on tumblr! 2020 did unspeakable things to my mind and body…I staggered away from lockdown with a whole pitch of how I would make an animated Cats adaptation. I got the whole thing up here *taps skull*—it would be Very Good. I can’t think about it too much lest I awaken my sleeping obsession…still want to finish Old Deut and Macavity one of these days.

Fun fact: The term "Jellicle Cat" is actually the cats’ mishearing of the term "Dear Little Cat" (this gives me much joy)

@thedrawingduke on Instagram

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skold

yr locked in a room alone with three adult men but you feel perfectly safe. who are they

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icedsilver
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wukodork

I mean, I feel safe from them but I’m suddenly EXTREMELY worried about what shenanigans I’ve stumbled into

I’d be fairly confident they weren’t going to hurt ME, but I’d be worried about the structural integrity of the area we’re trapped in.

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rudjedet

I’d feel safe and also immediately ask to be handed a weapon to be equal part of the shenanigans

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A very special sneak peek at Tiffany Aching's Guide to Being a Witch.

This special guide has been compiled and written by Rhianna Pratchett and Gabrielle Kent (Illustrated by Paul Kidby) and will be available to purchase from 26th October 2023 in the UK priced at £25.

You can pre-order yourself a copy through any of our affiliate links below. 

Purchasing through our affiliate links allows Discworld® Monthly to continue to bring you all the news about Terry Pratchett's works for free.

Video produced by the team at Discworld® Monthly.

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sigam090

Um I need help from the garnders/flower experts at Tumbler.

This is my Peruvian Inka. Fittingly called "Inka". He lives on a southern faced balcony with all the sun in southern Norway. Lately it has been 20-25 degrees Celsius, and more sunshine then normal in September. He has bloomed since May. When should I remove the smallest stems with the smallest shoots? According to a few plant app it wants to be kept inside from October or when its to cold outside.

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“The entire British museum is an active crime scene” - John Oliver

[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.

image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it

/end id]

For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.

Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“

Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.

Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.

There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.

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gemsofgreece

By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.

One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.

I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.

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lesbians love and support our trans sisters 💖💖

the terfs have found this post and they do not fucken like it god help me

reblog to make a terf big mad

reblog to make a trans lesbian feel big loved

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Mammals both produce milk and have hair. Ergo, a coconut is a mammal.

I know you’re being facetious, but this is an actual issue with morphology-based phylogeny.

*leans over and whispers to person beside me* what are they talking about

*leans over and whispers back*  Human ability to quantify and categorize natural phenomena is sketchy at best and wildly misleading at worst

consider the coconut

this reminds me of that time Plato defined humans as “featherless bipeds” and Diogenes ran in with a plucked chicken screaming “BEHOLD A MAN!”

i love how you say “it reminds me of that time” like you were there.

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heartgemsona

listen if an immortal feels brave and supported enough to come out we should respect them

This post is a journey

1 Reblog = 1 Respect

I maintain that humans started attempting classify animals, and some god or another made the platypus, and is still laughing.

Zeus: *hits joint* okay so like. It’s gonna have a duck bill right. But an otter body okay? And then a beaver tail. It’s a mammal. But. It lays eggs!

Hades: wait wait dude. Give it. Give it poison. Make it poisonous

Athena: You mean venomous, and make sure the eggs have both reptile and bird traits. Hermes: *takes the joint* Give it extra senses. Poseidon: It should be aquatic.

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hyratel

I MEAN where’s the lie

Demeter: … And where exactly do you expect me to put this? Everyone: Australia.

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giada-luna

Reblogging for that last exchange.

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jstor

The twelve signs of the zodiac, from the Horoscope of Prince Iskandar, grandson of Tamerlane, the Turkman Mongol conqueror. Apart from being a horoscope, the manuscript of 1411 is an exquisite work of art and an exemplary production of the royal kitabkhana "publishing house" or "workshop."

The manuscript is lavishly illustrated and reflects the efforts of a whole range of specialists: astronomers (among them Imad ad-Din Mahmud al- Kashi), illuminators, gilders, calligraphers and craftsmen, and specialists in paper-making.

The images and info come from the always fascinating Open: Wellcome Collection on JSTOR, which is open access with no login needed! Creative Commons: Attribution.

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