He opened the filing cabinet and picked out the first card in the set. Traditionally, it read. Now there was a random choice between cards reading coronations, engagements, funerals, weddings, comings of age, births, deaths, or the churching of women. [...] He closed his eyes, drew weddings, and was signposted on to are occasions for rejoicing.
The wedding of X and Y followed in logical sequence, and brought him a choice between is no exception and is a case in point. Either way there followed indeed. Indeed, whichever occasion one had started off with, whether coronations, deaths, or births, Goldwasser saw with intense mathematical pleasure, one now reached this same elegant bottleneck. He paused on indeed, then drew in quick succession it is a particularly happy occasion, rarely, and can there have been a more popular young couple. From the next selection, Goldwasser drew X has won himself/ herself a special place in the nation’s affections, which forced him to go on to and the British people have clearly taken Y to their hearts already.
Goldwasser was surprised, and a little disturbed, to realise that the word “fitting” had still not come up. But he drew it with the next card — it is especially fitting that.
This gave him the bride/bridegroom should be, and an open choice between of such a noble and illustrious line, a commoner in these democratic times, from a nation with which this country has long enjoyed a particularly close and cordial relationship, and from a nation with which this country’s relations have not in the past been always happy.
Feeling that he had done particularly well with “fitting” last time, Goldwasser now deliberately selected it again. It is also fitting that, read the card, to be quickly followed by we should remember, and X and Y are not merely symbols — they are a lively young man and a very lovely young woman. Goldwasser shut his eyes to draw the next card. It turned out to read In these days when. He pondered whether to select it is fashionable to scoff at the traditional morality of marriage and family life or it is no longer fashionable to scoff at the traditional morality of marriage and family life. The latter had more of the form’s authentic baroque splendour, he decided.
Michael Frayn, The Tin Men