In the Flower Garden - II
Since his birth, Merlin has had the ability to foresee everything in his era completely, without having to go anywhere himself.
Those much more ancient than Merlin, who were able to see into bygone days or capable of predicting the future, had also been considered among the highest of their times. That said, the only magus with clairvoyance alive in this era is Merlin. The previous Holders were always wrapped in the downfalls of their respective lands and had long vanished from the human realm.
If “to know” is the innermost fundamental of Magecraft, then the magus born with clairvoyance has already attained the truth at birth.
Although they were born human, they were also heretics who never obtained humans’ sense of values. Whatever sort of lives they might have led is unknown to Merlin, who does not look over the past.To what degree their feelings may be understood anyway? The state of human society aside, their lives don’t seem particularly interesting.
Merlin can grasp almost everything regarding the circumstances of an age, see all of its details and peculiarities.
To him, the world is not much different than a painting.
A painting named “human society” is well worth enough to see, and may even be called an embodiment of the miracle of God. However, as interesting as the painting may be, Merlin, who is barred from entering, would only enjoy the feeling of alienation. The entire point of their kind may just be the sense of alienation. God’s view on boredom might have been quite different if such useless complaints were constantly shared among fellowmen.
Nonetheless, Merlin has one duty remaining that he must see for himself.
The end of a certain people.
The end of a lone King he himself had crafted.
“And I wonder what, really. The Age of Gods is long over, and this concludes the era of fairies as well. From here on it is the Age of Man, though that too will eventually come to an end. After one is done spinning the stars, one moves onto the business of rotating the sky. And in that case, the next is the era of will. It is such an era that living things without flesh will fail to adapt and simply fall obsolete. And what ever human involvement will be in all that – well, who knows?”
Merlin is the son of the Queen of Wales and an incubus. He is half-human, half-incubus - possessing a spiritual nature, he is a parasitic, higher-dimensional existence that feeds off on humans who can paint their future plans and dreams into reality - and so, he has an extremely odd standing among living things. If he was born as an incubus child, Merlin imagines he would only want to play around in the Spirit World. At the same time, he thinks it is quite fortunate that, thanks to this one thing called human individuality, he can nourish himself without needing the dreams of other people.
Merlin has never hated humans, despite his blood. Rather, he is fond of them to such a degree that it is beyond natural.
Humans, who are not brethren of fairies and giants, were supported by Merlin the Magician, who brought up numerous kings and assisted them with the intention to create an era good for mankind. He wanted to create a reign that governed like a flower – one that would never eradicate the smiles of people, including the knights’; one that would simply enjoy people’s everyday life. This is why he became to be known as one of the leading “king makers” of the world.
That is the painting Merlin wishes for - a completed painting of “mankind’s happy end” appeals to his sense of “beauty”.
In it, there is no affection for humans, let alone for a single individual.
To human beings, Merlin would have seemed like an agreeable young man.
But the being that is Merlin is different.
To put it in a way that humans would understand, Merlin’s nature is closer to that of insects - completely mechanical and objective. His thought format is a chain of reasoning that leaps and bounds. It is utterly incompatible with the mental body* of this world.
Merlin prefers beautiful things over good things, but does not have a real reason for his “like”. He values them more simply because they fit his stomach better.
It could certainly be said that Merlin is fond of “the outcomes of people’s efforts”, but in essence he is utterly incapable of sympathizing with the people themselves.
This painting is beautiful. Yet, even to the contents of this painting, the sorrows of those who painted it are worthless and of no interest.
Merlin merely feels beauty without fully comprehending the painting’s contents.
He does understand what cruelty tastes like, but changing his inherent nature is simply impossible. After all, incubi are creatures with such values.
He assesses dreams by their nutritional value, not their content.
This is the same for humans - whatever wonderful things an animal might have once achieved, if it is served at their dinner table, humans will eat it without any concern.
“I eat dreams to live. I would really rather eat nice dreams, but from a practical standpoint nightmares have a higher nutritional value. Despair is easy, you understand; happiness has to jump many times over really high hurdles to overpower it. To people who try to make this happen, it’s a burden on its own – well then.”
So far away that he thought the evil witch could not reach him anymore, he suddenly came to a halt.
In front of him stood a gate that was built with rough stones, resembling the stone circles – massive rock gates – of Britain. The wasteland surrounding the gate seems perfectly untouched. But these words had been engraved on the gate—
Only the innocent may pass.
“—Oh, I see. I’m done for.”
Merlin shrugged and let out a sigh, and then went through the gate while leaving a trail of flowers in his wake.
Soon, the barren hill was completely changed.
Massive walls of stone emerged from the ground in front of him, in such a way that they would tower over and encircle whoever wanders in. There is no ceiling. The walls seem to vertically extend forever, effectively trapping the visiting magus inside. The place is like a tower without a roof.
In the middle of this stone tower, Merlin stopped to glance behind.
The gate he just walked through is no more. Instead there is a wall, and it seems to go up forever into the sky.
A five-square-meter cage cut out of paradise.
The true nature of this Bounded Field seems to be the lifetime achievement of someone who completely detests him.
“Humans don’t get it after all. This, isn’t this a curse that will rebound and kill the caster if carelessly handled? How weird. I don’t have any memory of doing anything to be so resented by that girl. Ah, more than forgetting, well, you might say that’s just the sort of thing that can be ignored.”
Only the innocent may pass.
The man walked right into the trap because those words hurt.
Even though Merlin hopes for “humanity’s happy end,” essentially, he does not love humans. So, just like an insect, he has consumed many lives - all in the name of happiness and prosperity. There never were such things as “good and evil” or “like and dislike”. He didn’t even have an awareness of “sin”.
This is to such an extent that he thinks “innocent” must be a word that can only be used for those who live on the surface.
From a wider perspective, it can be said that Merlin is fond of humans. He has been actively involved in the human world, after all, and enjoyed things in his own way. Lending a hand to humans. Raising kings. He wasn’t responsible for what would become of the country, and he didn’t feel guilt.
Not until he heard the farewell words of one girl.
“—Yeah, well. It can’t be helped.”
He sat himself down on the remains of a single boulder that stood out against the flat surface of the tiny cell. It was too rough to serve as a good chair, but the height was sufficient. As he sat upon the rock, he looked up at the single, tiny window on the wall.
He hadn’t realized his own reasoning behind coming here until it was too late.
The sky seen through a window is not reality. It is not real Britain.
If it’s the current age, however, he can watch the entire world.
The Magician of Flowers spoke to his familiar, the Cath Palug that was concealed in his chest, in order to rearrange his view.
The final scene is just around the corner.
But before that, a little reminiscent talking about the old days is in order.