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Never let the truth ruin a good story

@stuffertystuffstuff-blog / stuffertystuffstuff-blog.tumblr.com

Female. Aussie. 26. Obessive nature. Lazy as sin. Was stuffertystuffstuff.
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If theoden stayed alive, then he and faramir would be besties and they would fix each other they would be like father and son bc they each lost one of them and eowyn would sit and laugh as the two taught each other stuff and drank and had fun, they would look upon her with such admiration and love and I think about this a lot

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themarysue
To my fellow straight white guys, let me say this: You have been pandered to for your entire life. Nearly every piece of media you have ever consumed, from comics books to TV to cartoons, has been tailored made with you in mind as its primary audience. In fact, pandering to us is one of the greatest driving forces in entertainment today. I’d go as far to say that it’s responsible for many of the creative shortcomings of today’s media. This kind of mindset is, to put it frankly, a cancer that’s rotting away at the creative core of the industry.

(via

)

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did-you-know

Redhawk realized his failing vision caused things to morph, so he started to play with morphing software and thought, “What if I morphed an image onto itself?”

“It’s an artistic expression of the confusion I go through with my vision loss… 

Not enough data getting sent to the brain, and it tries to fill in the blanks with false information, so you can’t trust what your eyes or brain are telling you.”

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Men at Arms is a direct attack on the idea of monarchy and aristocracy that so much “high fantasy” is based on; Jingo is a fantasy war story that denies the reader the “fun” of seeing a war break out and ends up attacking the concept of war; the character of Rincewind is a subversion of the whole idea of heroism. Monstrous Regiment is a meditation on feminism, Cherry Littlebottom and other female dwarfs a commentary on gender identity and trans people, Thud! a statement against ethnic hatred. But all this deconstruction and subversion didn’t come across as having to eat your vegetables, the way literary fiction often does. And it didn’t come across as a bitter, guilty pleasure either, the way people geek out about the horrifying viciousness of “low fantasy” worlds like A Song of Ice and Fire’s Westeros. Pratchett somehow made his progressive, subversive work as tasty a snack as any of the high fantasy he was subverting. Much of that candy coating was humor–the ability to laugh, as he once argued, being our brain’s way of extracting pleasure from the otherwise painful process of recognizing uncomfortable truths.

Arthur Chu breaks down the importance of Discworld in his farewell tribute to Sir Terry Pratchett, A Guide to Escape from Escapism (via petulia-gristle)

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Odysseus has proven time and time again that his pride gets in the way of his leadership capabilities. He would be an awful president.

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teledild0nix

It bothers me that some people think that it diminishes a female character’s importance in the story to posit that she won’t end up in a relationship with the male protagonist. It bothers me that some people think it boosts a female character’s importance in the story to stick her in a relationship with the male protagonist.

A thinly written female character cannot be instantly patched by handing her off like a trophy at the finish line. We deserve better than women who are important only as symbols, catalysts, or markers of development to male characters. Rejecting that trope is not internalized misogyny. It’s not good storytelling, and it’s not good feminism.

But by the same token, if a female character is strong and unique and has a interesting character arc and personality, having her end up in a relationship with an equally well written male character does not diminish her either. 

Romance is often equated with femininity in western society, and femininity is always, no matter what part of the planet you are from, equated with weakness. I have no problem with well written female characters not ending up in relationships. But I hate the rhetoric that sometimes emerges when a female character ends up in a hetrosexual relationship, and the fandom just throws up their hands and says “well, she got reduced to a love interest” and completely disregard her contributions to the narrative.

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akaashikelji

my friend told me that i need to stop singing i’m a believer because it was getting annoying and i laughed because i thought she was kidding

but then i saw her face

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okay so important question: after severus snape faked his death and went to live under a fake name, what would it be? also would he revert to his original name if/when harry and company found him? or what he stay “prince” instead of “snape”? i need answers

I’m gonna say Alexander Fitzroy (Alexander because of St. Severus of Alexandria, Fitzroy because it means son of a king and I feel like he’d keep some aspect of the Prince name). I don’t know if he’d keep that name if Harry+co found him- it depends on wether he intends to go back with them and what kind of life he’s had since he faked his death.

bleverus blape

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