Happy Bard-day to all who celebrate. Shakespeare turns 460 today and I must celebrate his influence on Long Live Evil. He created many unforgettable villains (e.g. Edmund of King Lear, ‘now gods stand up for bastards’ a personal crush!) but I’ve always been fascinated by his play Richard III - a real person, and the last Plantagenet king, supplanted by the Tudors reigning in Shakespeare’s day, i.e. Shakespeare had to BLACKEN his name. That meant Shakespeare also wrote Richard III as the kind of man who could seduce a widow, on the day of her husband’s funeral, after killing the husband in question! What can I say, baby? Evil’s just sexier.
Shakespeare being a genius was part of what made Richard III’s name echo with infamy down the ages. Josephine Tey’s A Daughter of Time gives us a very different Richard. But isn’t that the case with Jane Eyre and Wide Sargasso Sea, or a thousand fanfictions for a thousand properties, or Shakespeare himself with the legend of Romeo and Juliet, all asking ‘why’ and ‘what if’ and ‘can we explore…’
The best stories ask: who’s telling the story? How does that change the story? How many different ways are there to tell it? What do you do with the story people are telling about you? Who’s good, who’s bad and who’s interesting? That’s why, three years ago, I picked this epigraph for LONG LIVE EVIL. Thanks to the Bard for a perfect opener.
“Your boyfriend is evil!” “Your boyfriend is cruel and horrifying!” Well, he’s a joy to me. Maybe it’s a you problem.
“She is tolerable; but not handsome enough to tempt me.”
Pride and Prejudice illustration based on the book.
I've spent all afternoon thinking about the line from Wentworth's letter "you sink your voice, but I can distinguish the tones of that voice when they would be lost on others" and about how that really is the most important part of the letter. Yes "you pierce my soul" and "I have loved none but you" and "I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago" are all more swoon-worthy. But the whole point of Persuasion is how Anne suffers because none of her friends or family acknowledge her needs or anything she says. She is made small by everyone around her. She is persuadable because she has been stripped of her agency; not by the circumstances of her life, but because the people in her life have talked over and down to her so much that she has stopped resisting. She knows that she won't be heard, so she just stops speaking. But then Wentworth hears her voice! He hears her, sees her, and he loves her for who she is, not what he wants her to be. I think Jane Austen knew exactly what she was doing by including that line. It's so subtle in such a purposeful way.
Thanks for coming to my ted talk
unavoidable that you will be the villain in someone else's story. You will be painted in an unfavorable light. You will be the irredeemable one. and all of this will happen despite how nice you might usually be or how kind or how respectful or how warm. and you will just have to move on.
Lil Nas X did a cover of Jolene and Dolly Parton responded to it on twitter
Image descriptions under the cut
From Dolly’s insta:
I feel like it gets a bit lost, with how readily we meme his songs online, but Lil Nas X really does have a beautiful country singing voice. He might have the best voice for soulful, impassioned, male country vocals since Johnny Cash, and this cover really shows that off.
Preorder Sale
Today is the last day of the #BNPreorder deal, so I slide in villainously late because if you were considering pre-ordering my chaotic band of villains taking over a story, writers deeply appreciate a pre-order and you all deserve a wicked deal!
https://www.barnesandnoble.com/w/long-live-evil-sarah-rees-brennan/1144328593
EASY A (2010) dir. Will Gluck
The best quality a fictional man can have is being deeply, pathetically, wretchedly in love with someone, I think
Norway, 2018
“But pain doesn’t destroy language: it changes it. What is difficult is not impossible. That English lacks an adequate lexicon for all that hurts doesn’t mean it always will, just that the poets and marketplaces that have invented our dictionaries have not—when it comes to suffering—done the necessary work.
“Suppose for a moment the claims about pain’s ineffability are historically specific and ideological, that pain is widely declared inarticulate for the reason that we are not supposed to share a language for how we really feel.”
—Anne Boyer, The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time. Dreams, Data, Exhaustion, Cancer, and Care
From the Penguin Classics intro to the 120 Days of Sodom (1785)
HELP
DERRY GIRLS (2018 - 2022) Season 3 | Episode 4
This wouldn't happen to me if i were a huge dragon
being alive is great because there are so many different vegetables you can sauté. but then there are also the horrors
with faith and perseverance, one day we will sauté the horrors
i love this website
reblog to sauté the horrors