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TheAnnschki

@theannschki / theannschki.tumblr.com

Multifandomized.
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Me after being away from tumblr for three years:

Me: what the fuck is a stone femme

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rayb1rd

Kicked out of the Garden of Eden

Eve:

I hate this. I fucking hate this. This is essentially a fucking hieroglyphic. I see that picture and I immediately hear a combination of sounds in my head with a very specific and comprehendable meaning. Like, I hear it. It’s not even a fucking video, its a still fucking picture but I hear it and know exactly what the OP was trying to convey because this picture has a word inherently attached to it

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acutelesbian

A lot of people ask me what my biggest fear is, or what scares me most. And I know they expect an answer like heights, or closed spaces, or people dressed like animals, but how do I tell them that when I was 17 I took a class called Relationships For Life and I learned that most people fall out of love for the same reasons they fell in it. That their lover’s once endearing stubbornness has now become refusal to compromise and their one track mind is now immaturity and their bad habits that you once adored is now money down the drain. Their spontaneity becomes reckless and irresponsible and their feet up on your dash is no longer sexy, just another distraction in your busy life. Nothing saddens and scares me like the thought that I can become ugly to someone who once thought all the stars were in my eyes.

this fucks me up every single time

I never expected this to be my most popular poem out of the hundreds I’ve written. I was extremely bitter and sad when I wrote this and I left out the most beautiful part of that class.

After my teacher introduced us to this theory, she asked us, “is love a feeling? Or is it a choice?” We were all a bunch of teenagers. Naturally we said it was a feeling. She said that if we clung to that belief, we’d never have a lasting relationship of any sort.

She made us interview a dozen adults who were or had been married and we asked them about their marriages and why it lasted or why it failed. At the end, I asked every single person if love was an emotion or a choice.

Everybody said that it was a choice. It was a conscious commitment. It was something you choose to make work every day with a person who has chosen the same thing. They all said that at one point in their marriage, the “feeling of love” had vanished or faded and they weren’t happy. They said feelings are always changing and you cannot build something that will last on such a shaky foundation.

The married ones said that when things were bad, they chose to open the communication, chose to identify what broke and how to fix it, and chose to recreate something worth falling in love with.

The divorced ones said they chose to walk away.

Ever since that class, since that project, I never looked at relationships the same way. I understood why arranged marriages were successful. I discovered the difference in feelings and commitments. I’ve never gone for the person who makes my heart flutter or my head spin. I’ve chosen the people who were committed to choosing me, dedicated to finding something to adore even on the ugliest days.

I no longer fear the day someone who swore I was their universe can no longer see the stars in my eyes as long as they still choose to look until they find them again.

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archiemcphee

In the hands of Spanish sculptor Gerard Mas 15th century ladies (and the occasional gentleman) exchange their Renaissance poise for modern day whimsy and sarcasm. Each marble sculpture depicts a period figure doing something decidedly uncharacteristic for their time, such as chewing gum, picking their nose, enjoying a lollipop, sporting tattoos or bikini tan lines, and doing a headstand.

“I thought about the millions of attitudes and situations that old artworks couldn’t capture because they were simply inappropriate for a lady in the 15th century,” Mas says. “I decided to try to do it in an old media and style. It was something like an invented old art. After that, the anachronisms came and pop elements, too, as a natural evolution.”

Follow Gerard Mas on Instagram to check out more of his delightfully anachronistic sculptures.

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reblogged

Meanwhile in Russia

annyi.

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marcommarco

gente decisa

The bigger vehicle has right of way.

Russians cannot into chill.

This is what I call a satisfying video

@rokirovka blease tell me what these poor benighted motherfuckers are saying

@theminism tbf speakers 1 and 2 seem like pretty reasonable people… i can’t really translate much of what the benighted motherfuckers involved are saying since they’re farther away (and swearing is hard to translate) but here goes nothing lmao just for you

speaker 1: What, they can’t drive out of each other’s way?

speaker 2: It looks like they can’t drive out of each other’s way. There’s not enough space. And they’re fighting.

speaker 1: They should have just pulled off and let the excavator go first.

speaker 2 [interrupting]: Of course.

speaker 1: What the heck are they doing over there

speaker 2: What the heck

speaker 1: Woah woah what the heck okay wow

speaker 2: What the hell [gets out of car] Hey, hey guys! What the f[this is where the beep comes in] are you doing!

speaker 3: Don’t take pictures!

speaker 2: I’m filming!

speakers 3 and 4: [inaudible] Don’t take pictures! Put the phone away!

speaker 2: Guys, calm down!

[the reckoning arrives]

speakers 3 and 4: [general yelling] No no no! f[beep]! Wow! Wow! [yelling continues inaudibly]

speaker 2: Wow guys! [laughs] Fuck, dudes! Wow you messed up! [laughs] now that, man, is a fuck up! Motherf[beep]! Get ‘em!

I think the loveliest thing about this, which the transcript brings out, is that Speaker 1 and Speaker 2, in addition to filming the whole scene, and providing hilarious deadpan commentary, were fully prepared to defend the excavator-driver - squaring up to fight, but also trying to resolve it peacefully. So while we may all go “LOL russia” because these events have escalated so astonishingly, we can appreciate that these guys are the Real Heroes and most of us would not have been half as cool.

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