trying something a little different — instead of doing straight show recaps, i took some notes during flora yin-wong/gi gi at the shrine (converted church in oakland) & laid them out as poems for the newsletter. working title is "show诗" as in "show poetry." full poems are live via the RADIOLIO newsletter.
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Katy Layman - Half Life, 2022 - Oil on canvas
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Ernest Biéler, Les Tournesols, ca. 1910, pencil, ink and watercolor on paper
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Alison Watt (British, 1965), Alabaster, 1998. Oil on canvas, 60 x 72 in.
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Josh Smith - Untitled (acrylic silkscreen on canvas), 2008
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Barbara Hepworth (British, 1903-1975 Mother and Child, 1934
Pink Ancaster stone
26 x 31 x 22 cm
The Hepworth Wakefield Collection
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Francisco de Almeida - O Papa da Iconografia e os Anjos (woodcut), 2010
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Jana Brike, Queendom Come, 2023, oil on linen 24 x 20 inches.
Source: moderneden.com
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In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future. Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.