Kehinde Wiley (American, born 1977) Houdon Paul-Louis, 2011 Bronze with polished stone base Though Kehinde Wiley is best known for his portraits of African American men in contemporary clothes, posed in stances drawn from paintings of the sixteenth through nineteenth centuries, here he shifts from painting to sculpture. In both the lift and the return of the young man’s head and the open V of his zippered collar, this bronze references an eighteenth-century marble bust by Jean-Antoine Houdon (see illustration). In substituting male for female, black for white, and present for past, Wiley upends the earlier sculpture even as he quotes it. His interpretation encourages us to acknowledge the limitations and assumptions of representation and provokes a reconsideration of both stereotype and portraiture.
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The Empire State Building from my window at the Americana, NYC, 1960 by Fritz Henle
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Street Etiquette in White by
Source: tumblr.lonequixote.com
wordsnquotes
Men spoke of how the heart broke up, but never spoke of how the soul hung speechless in the pause.
James Baldwin, Go Tell It on the Mountain (via wordsnquotes)
Source: wordsnquotes.com
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Title: Eric Dolphy Designer: Freire Wright
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carlosaranzamendy
Photo Irving Penn
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frankiethebaron
Matisse
#ART
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Léa Maupetit, Rothko’s bananas
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Source: weheartit.com
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Le Notti Bianche 1957 director Luchino Visconti
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Jean-Michel Basquiat, Native Carrying Some Guns, Bibles, Amorites on Safari 1982
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"Clean" Naomi photographed by Steven Meisel, Vogue Italia March 1996