Little Pimmit Run (After John Murillo’s “Practicing Fade-Aways”)
Naked brown trees with outstretched arms
Reaching up towards the white November sky
Like a plea for one last chance at life.
The water of the creek behind my house
has already started its freeze.
There’s a grassy clearing that ends
In a miniature cliff, overlooking the water body,
Where I sit and dangle my feet over the edge,
Pretending to be someone thinking about
Changing their life, or ending it.
thinking about any of that.
And a jump from this short height
Would mostly just get me muddy.
It’s just that this is where
we used to spend all our summers—
Picnics, and swimming, and laughing under sun-green leaves—
So aren’t I supposed to be thinking about those things?
Shouldn’t this be a picture of
a poet on the edge, painting memories
But truth be told, even as desolate as the fall flora looks,
Going brown and cold and quiet in a way
That brings the word bradycardia to my lips,
I can’t pretend to mourn the summer days
We were here cold days, too.
And late nights, all the time we could find
To retreat to our hidden home, wrapped up in trees.
Once Matt and I came down to the creek alone,
Well past midnight, and as we entered the trees,
Leaving the yellow of the streetlamps behind, I got scared and he
Said something like do whatever you need
When I asked if I could latch onto his jacket.
Now he’s in a state he hates,
Untrimmed stubble and hands
Shoved into pockets. The way that
Alone settles onto shoulders
That would rather just shrug it off.
Once Cynthia was my model for a photography assignment,
And we shot it down here,
Her laying out on chairs that were then
Edited out post-production,
So it looked like she was suspended in air.
And is now learning conversational French
Out of necessity, not just for a language req.
I want to ask her if it feels like floating in air,
Having a support system taken out from under you.
Once, in the pouring rain, Anna and Elizabeth
Were standing on the stepping stones that cross the creek
when suddenly the creek flooded, within seconds,
and they got trapped on the other side.
Anna’s got an apartment in Charlottesville now,
And she says things have been good
In that tone reserved for awed unbelievers,
Like she’s seen rain for so long
That the sensation of sun-of-skin became
something foreign to her.
This all has me thinking that every flood, eventually,
And also has me thinking,
Strange how the sun can forget its own warmth.
Late this summer, the two of them, with Emily and me,
Painted the tunnel that runs through the creek,
with washable paints. Non-toxic vandalism
In the shape of stars and moons and
THIS IS HOME in big letters
Emily’s in Harrisburg, the only one of us with a car.
I still haven’t gotten used to how little it can mean
To be in the same state as someone. But we’re still in
the same state of matter, particles closely packed together,
And I guess that matters. That counts for something.
Even miles away, we’re all still existing
And I think that’s enough.
“This poem is a reflection of a place where my friends from home and I hang out (the creek that runs behind my house) and memories that we shared there together.”
-Julia St. John, University of Pittsburgh, Freshman