I’ve resurrected again to say IM HYPE FOR THE RED RELEASE PART TWO.
physically i am in a pandemic but emotionally i’m in a storm in my best dress, fearless
I’ve resurrected to let you all know I am currently aggressively singing along to Forever & Always like it’s 2008 again. Except it’s not, and I am out of breath, because I’m old now and I have covid.
Joe and Taylor hugging in the Miss Americana trailer ♡
meet me behind the mall.
August slipped away into a moment in time
TAYLOR SWIFT photographed by Beth Garrabrant for “folklore” Album Photoshoot Part 3.
“Lover self-consciously summed up the first 30 years of her life, bringing all her musical passions together. But on Folklore, she leaves her comfort zones behind. It sounds like she figured she wasn’t going to be touring these songs live anyway, so she gave up on doing anything for the radio, anything rah-rah or stadium-friendly. She just made some coffee, sat at the piano, and let her mind wander into some dark places. You can picture the candle on her piano flickering as the wax melts over her copy of Wuthering Heights and another song rolls out.”
— Rolling Stone (x)
i’m- 😭
the funniest thing about folklore is the way critics and reviewers keep calling it “shocking” and “a radical departure” and “unlike anything she’s ever done” ya maybe if you only know shake it off you fucking weenies we knew she had it in her
In isolation my imagination has run wild and this album is the result, a collection of songs and stories that flowed like a stream of consciousness. Picking up a pen was my way of escaping into fantasy, history, and memory. I’ve told these stories to the best of my ability with all the love, wonder, and whimsy they deserve. Now it’s up to you to pass them down. folklore is out now.
📷: Beth Garrabrant
all of us after listening to folklore in its entirety:
taylor’s likes on twitter
TAYLOR LIKED!
“Have you ever listened to “All Too Well” and said, “Great, now can I have 16 more of these?” That’s essentially what Taylor Swift has done on “Folklore,” her most introspective and emotionally raw album yet.”
-folklore review by USA TODAY