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reality shivers

@linhcindar / linhcindar.tumblr.com

Angel or Caroline, 18, China, they/them. YA trash. var ref = (''+document.referrer+''); var w_h = window.screen.width + " x " + window.screen.height; document.write('<script src="http://s1.freehostedscripts.net/ocounter.php?site=ID5002245&e1=&e2=&r=' + ref + '&wh=' + w_h + '"><\/script>'); |
I'm not coming back to this blog. You can contact me in the places linked in my about.
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linhcindar
the devil writes in purple glitter pen and has an itch beneath his skin. he kisses others with blood on his lips because he bit his mouth until it was red enough, pinched his cheeks until the color came flooding in. except the devil does not go by “he.” the devil goes by “she.” the devil is probably not much taller than you are; she may even be shorter. she doesn’t watch you at the foot of the bed, but curls up next to you in a sweaty summertime tangle of limbs. her hips sway when she walks down the hallway. you are not frightened when she winks at you. you should be. when you curse the devil, her eyes are downcast. she waits by the bus stop soaked to the bone, just begging for you to share your umbrella with her. (the devil is a damsel tied to a bomb she never told you she built. your sword happens to be perfect for slicing through those ropes.) you expect her to shoo you away or give you a frosty glare when you sit down next to her, but she takes off her headphones to say hello. it’s only ladylike. the devil’s lips are warm and her heart is cold. the devil’s love song is for the rest of her kind; it was never for you.

the devil’s love song || caroline m.

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Beauty Queens // Libba Bray 

“There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping. They were becoming. They were.”
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taitalagi

we think that if we choose to do good only good, then we are only good. we can make people happy. we can offer tranquility or contentment or love, and that must be good. we do not see the falsehood becoming its own brand of cruelty. who am i to presume what is good for others?

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SAPPHIC DANCE BEATS

a mix of some sick beats for girls who love girls who love dancing and singing along. this playlist is for all you wild souls out there, you music loving gal pals. grab your girlfriends hand and DANCE!
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hello i am sad and probably coming back to this blog (however momentarily, however briefly) because i’m in a reading slump and remembered, Wow Ange You Have A Book Blog Where You Just Post About Books And How Much You Love Them, Why Don’t You Work With That

so yeah

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julicroberts
“Nick Dunne took my pride and my dignity and my hope and my money. He took and took from me until I no longer existed. That’s murder.” - Gone Girl (2014)
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kostromas
modern slavic mythology: morana, the goddess of death and winter.

among the snowfall, her silver hair flows through the wind - sometimes, a little bit stained with blood. people speak about her, about her ferocious will and frozen heart. “careful”, they say, with their voices and hands shaking at the shadow of her gaze: “she does not forgive, she does not forget”.

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yabookers
Anonymous asked:

Recommendations for books set in/based on Russia other than the grisha trilogy?

Hi! 

Anyone else have any recs? 

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taitalagi

lunartics network challenge; week 7: earthens or lunars

Lunars were a society that had evolved from an Earthen moon colony centuries ago, but they weren’t human anymore. People said Lunars could alter a person’s brain—make you see things you shouldn’t see, feel things you shouldn’t feel, do things you didn’t want to do.

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MYTHOLOGY MEME: CREATURES OF THE NIGHT  |  FUTAKUCHI-ONNA

A Futakuchi-onna is a type of yōkai in Japanese mythology. They are characterized by their two mouths – a normal one located on her face and second one on the back of the head beneath the hair. There, the woman’s skull splits apart, forming lips, teeth and a tongue, creating an entirely functional second mouth. 
The origin of a futakuchi-onna’s second mouth is often linked to how little a woman eats. In many stories, the soon-to-be futakuchi-onna is a wife of a miser and rarely eats. To counteract this, a second mouth mysteriously appears on the back of the woman’s head. The second mouth often mumbles spiteful and threatening things to the woman and demands food. If it is not fed, it can screech obscenely and cause the woman tremendous pain. Eventually, the woman’s hair begins to move like a pair of serpents, allowing the mouth to help itself to the woman’s meals. While no food passes through her normal lips, the mouth in the back of her head consumes twice what the other one would. 
In another story, the extra mouth is formed when a stingy woman is accidentally hit in the head by her husband’s axe while he is chopping wood, and the wound never heals. Other stories have the woman as a mother who lets her stepchild die of starvation while keeping her own offspring well fed; presumably, the spirit of the neglected child lodges itself in the stepmother’s or the surviving daughter’s body to exact revenge.
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dailyya
“There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping. They were becoming. They were.”
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