The devil works hard but the Hollywood propaganda machine and the White liberals who take part in it work harder.
Oh but hold on, it gets worse:
I cannot stress how utterly disgusting it is that a White man literally possesses the rights to MLK's speeches.
White liberals ain't shit.
- mod sodapop
Shimabuku: Sea and Flowers (2013)
i'm seeing people losing hope for palestine i'm begging you seriously please don't. the death toll is high but there are still people alive, there are still journalists risking everything to make sure the world sees what is happening. please continue protesting if you have the option to, keep demanding for a ceasefire and keep talking about palestinians both alive and dead. you have to keep going until the very end or else you really did fail them.
Reminder that before all this, the population of Gaza was approximately 2,300,000. The current death toll is around 15,500 - possibly as many as 20,000. That's horrific, yes. But that means that there are still at least 2,280,000 gazans alive and kicking. There are 2.28 million people who would benefit from a permanent ceasefire; for an end to Israeli hostility; for increased aid and reliable access to food and water. There are still 2.28 million people that Israel has not managed to kill.
So keep making noise. Do whatever you can to help those 2.28 million living people, and to remember and honour the 15,000-20,000 lives that have been taken. Giving up on Gaza helps no one but Israel.
A Palestinian boy throws a rock during the first intifada
His name is Ramzi Abu Redwan. During the time the picture was taken he was 8 years old. Today he is 36 and has become a world-class solo musician and composer, playing the Oud, Buzuq, Violin and Viola.
He was discovered by a Palestinian musician who recognized his natural talent at the viola, and later received a scholarship to study at a conservatory in France. He could have stayed there and lived a comfortable life in Paris, but instead, he chose to return home and give back the gift of music by openning music schools in Palestinian towns and refugee camps.
he’s got a spotify btw!! if you’ve never heard a oud, i def encourage listening to his work. it’s a beautiful instrument from a beautiful people ❤🖤🤍💚
here’s my personal fave of what i’ve heard so far from his top 5
The way they're acting like "ceasefire" means "go blow yourselves up" is just. A ceasefire is nothing. It's less than the bare minimum. It's not "rebuild what you destroyed." It's not "pay the victims remaining of the families you killed." It's not "rehabilitate Gaza." It's not any of the demands that could be made in this situation. It's just... Stop. Stop killing them. And even that is treated like it's so fucking extreme and if you call for it you must want Jews to die. Politicians with an agenda can really demonize anything.
teaching yourself how to deal with mildly annoying inconveniences is imo an essential part of treating the disabled people around you with compassion and no i'm not kidding
sometimes you have to share a public space with someone who has loud verbal tics. sometimes a chronically ill friend will have to cancel plans because of a flare up even if you were really looking forward to hanging out with them. sometimes an autistic person will talk over you or interrupt you because they missed a particular cue. sometimes people who struggle to take care of themselves will smell bad. sometimes people with intellectual disabilities will need you to give them more detailed, patient instructions, even if it seems simple to you. sometimes you will need to give up your seat on the bus for a physically disabled person even if you don't want to move.
accommodating disabled people is not always easy or comfortable; being an ally means doing it anyway.
i am listening to 5 year olds in gaza beg for ceasefires and talk about the warplanes and drones and carry language no one should carry but especially no one so small. they should be sitting in classrooms reading fables, solving silly word problems but the world decided they were born guilty, from a guilty womb, from guilty blood. and people on the other side of a wall and the other side of the world cheered on their death. i want no part in that world, i reject every politician, every news anchor, every celebrity. i reject their movies, their music, their UN work, their empty calls for peace. i want no part in this machine of death. i want no part and can no longer desire anything from life except for the people of palestine, sudan, congo, yemen, and a hundred other places to never have the murderous reach of western imperialism near them ever again.
Martina
“My friends are cyborgs, but that’s okay” is a mockumentary project made to imagine a world where Asian bodies navigate as cyborgs in a hegemonic human society. It explores the complex state of being cyborgs and asian — fluid, transgressive, marginalized but also stereotyped as unemotional and inhuman. In A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century, Donna Haraway once suggested that “'women of color' might be understood as a cyborg identity, a potent subjectivity synthesized from fusions of outsider identities''. Cyborg myth for Haraway is about “transgressed boundaries, potent fusions, and dangerous possibilities which progressive people might explore as one part of needed political work”. Asian bodies especially, in the media and in general are often seen as robotic, intelligent but less human. Different from Orientalism, the Techno-Orientalism found in many speculative fiction films and books, such as Blade Runner, imagines the future to be hypo technological cities resembling Tokyo, Hong Kong, and Shanghai, and sexualized, dehumanized asian looking cyborgs. The series is an attempt to create a narrative of cyborgs of our own: My friends are cyborgs, but that’s okay. It is to envision a change of the prevalent binary view, reconstructing the boundaries of daily life and to create a dangerously happy ever after posthuman world for cyborgs.
so enamored by this photo project by ramona jingru wang
“When I first asked my grandma if I could write and publish about her, she gave me an instruction that has stuck with me over the years and I try to always keep it in mind when I write about family. She said, roughly translated from Korean: “you can write what you want, but let us live a little more beautifully the second time.” I took this as permission with a condition that I would fictionalize where necessary, to protect them and myself. The women I write about are both us and not us. Maintaining that fictionalized barrier is important to me.”
— Jihyun Yun, from “you can write what you want, but let us live a little more beautifully the second time": Jihyun Yun in conversation with Nicole Lachat, published Prairie Schooner, March 9, 2023
inori’s creations
HAPPY ACE WEEK FUCKERS
AND NONFUCKERS I FORGOT WHO IM TALKING TO
