a Mess

@miss-idgie

Izzy (any pronouns), 22
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chimaerra

genuinely going to throw a whole bitch fit over the new tumblr layout. staff u are the bane of my existence and i despise whoever is working in UI with a burning passion. have u considered. that maybe keeping things together makes it way more convenient to use. have u considered. that nobody needs a definition of what a note is next to EVERY note count. the new notes layout entirely makes me want to cry. also stop fucking adding color to the things u use i use your stupid banana palette for a reason i want KIND COLORS for my eyeballs get ur disgusting bright contrasting reply reblog and like mini icons away from me

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when an unmasked tobey!spidey passes out after stopping that train and the passengers catch him before he can fall, the silent collective oath that they won't reveal his identity evident on their faces as they find out he's just a kid before the little boy can even say the promise out loud

when andrew!spidey takes off his mask as he saves that kid hanging from the bridge, saying look i'm just a normal guy. and later in the movie when it looks like he can't make it, that kids dad takes to the cranes to help him the rest of the way to save the city

when spidey is just peter parker — just a kid, just a normal guy —who loves protecting new york. and when new york protects him back when he needs it the most. yeah.

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brw

[id; a set of tumblr tags from b-atiful.

i watched no way home recently. havent see any other mcu stuff in years. i think the plot of peter parker being revealed sucked i didn't like it. it didn't make sense for new york to be like. i fucking hate spiderman. YOUR FRIENDLY NEIGHBOURHOOD SPIDERMAN. but mcu peter never has been a friendly neighbourhood anything. he was picked up by stark and he fought gods and aliens and died twice. he's barely done *anything* for new york. no wonder they don't love him. no wonder they don't protect him. in every other spiderman story spiderman just *is* new york. he's the heart of the city. he protects them and they protect him. jjj is really one of the only firm people standing against him. and he has his completely valid reasons. masked vigilantes are fucked up and he's really hardened. spiderman frustrates him. but we see in i think the tobey films that he doesn't really want him *dead*. where in this movie jjj is played up for a cheap alex jones bit that won't be funny in 5 years and it irks me. because as funny as infowars jjj is like. he's not a character anymore. he's not a person. i think it's lame man. end id/]

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traincat

I still haven't watched No Way Home (I'm getting to it, I just need to get up the energy, but I'm thoroughly spoiled) but the Alex Jones J Jonah Jameson thing really bothers me because the thing is, even with his anti-Spider-Man crusade, in the comics JJJ has usually, with a few exceptions, been portrayed as a good journalist. JJJ cares about the facts and he cares about the people and when he goes too far in his crusade, he is either held accountable by outside forces (usually Robbie, who is conveniently missing from the MCU's narrative despite MCU Spider-Man's surface level commitment to diversity) or ultimately by JJJ himself.

"I love this newspaper. I won't see its journalistic integrity questioned because of my mistake -- so I'm stepping down as editor in chief." (ASM #250-251)

Jonah can be out of touch, and he's very clearly a product of a different generation, but he's a good person. And yes, Jonah hates Spider-Man, but you know who he loves! Peter Parker! This smart-mouthed kid who brought him photos no one else could get and who he's watched grow up in his newsroom! Yes, they argue and butt heads and snipe at each other, but that's their love language! Jonah really, honestly likes Peter Parker.

"I like "our star" the way he is." (ASM #377)

"What would he do without me?" (ASM #800)

But of course in the MCU, Peter has had no need, at least in the canon that has been established, for a job, so he doesn't need to go to the Bugle and he doesn't need to sell pictures of himself because that's too old-fashioned probably. So you lose this connection between Peter, the stubborn young New Yorker, and Jonah, the old news goat, and that push and pull of Jonah hating Spider-Man but still being a good person who does, in his own gruff way, sincerely care about Peter. It's a very New York story between these two specific characters who belong to this specific landscape! And now even if with the end of No Way Home they bring that forward in the future, they've already painted Jonah as this Alex Jones type character who hawks fake news and snake oil and who would throw a teenager under the bus instead of trying to get to the heart of the real story. So you can't ever recapture that genuine dynamic between the two of them, because the audience has already had their expectations colored. And I just hate that because I think the original relationship, and you see an echo of it in the Raimi movies, is so sincere and so funny and it's a dynamic you don't get to see every day, and I think the MCU is less for eschewing it and for eschewing the notion of Jonah as a complicated person but a good journalist who cares about the truth. And for what? Like the above says: for a joke that won't even be funny in five years.

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reblogged

seeing names/words on license plates fills me with inexplicable glee ill pass by a car that says like. mildred. & just start screaming

one time i was behind a car with a plate that said like luvbug or some shit & i was like Oh Fuck Yes & then on the way home i somehow wound up behind the Same Car & i was like oh my god oh jesus christ yes. once i saw a plate that said PROTEIN & i almost crashed my car

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reblogged

So i went on a date to a haunted house and made friends with the girls behind us. As we’re going through, one of them is holding my hand and a guy leaps out and separates us. I panic as my date is pulling me along, I reach back for her and grab her hand in a group of three other performers and start getting out if there. After a bit I look back to check on her and I discover I’m holding the hand of a six foot tall zombie creature and not a 5'2" girl.

Cue the most terrifying realization of my life.

I had basically kidnapped this performer from his section and abandoned the girl and her friend behind us.

Yes, I screamed. My date thought it was Hilarious.

Yes, we found the girls. Turns out when I grabbed the performers hand, he grabbed theirs so our group wouldn’t be separated. So there was just this zombie in the middle of our group line for like fifty feet

This is like a Scooby Doo bit I love it

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reblogged

venom 2 yet again brings back the age old question ; must a movie b good? is it not enough to watch tom hardy play a garbage pail kid of a man in a relationship with a slime alien?

on a similar note I think the consumption of film has become so pretentious. not everything needs to fit these ridged standards of what makes a “quality” movie these days, especially in the comic book genre. was it fun? was it absolutely bonkers? was it unique? cool! now fuck off!

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reblogged

Dare I say that there was a missed opportunity in post-canon material to have Ozai’s baby photo hanging on his cell wall? A fun callback, perhaps? 

“Now you sit there and you look at this and you think about what you’ve done.”

Sokka, holding up the picture: I think this guy would’ve had a better chance beating Aang, at least you had a bit of a cute factor going on here, I mean that and Aang wouldn’t hurt a baby, you on the other hand-

Ozai: this is the fifth time this week you have made this argument

Sokka: I mean even with baby fire bending powers you probably could’ve lulled him into a false sense of security by being cute and then burning him once Aang picked you up. Hey, did you even land a burn on Aang during your fight? Or did you just get tossed around the whole time? I don’t remember seeing an burns-

Ozai, praying: Agni why have you forsaken me in this way, please make him leave

Zuko, turning the corner, copy of the baby photo in his hands: Hey Dad- oh Sokka you’re already here.

Ozai: *screaming*

[image id: picture of baby Ozai at the beach, hands held out and mouth open in a smile. a paper cutout of a speech bubble has been placed over it so it looks like baby Ozai is speaking. the speech bubble says “It’s all downhill from here, pal!” in the font of the Avatar logo.]

Sokka, shaking the painting: See this? This was your prime. You peaked here.

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zukkanovels

ZUKKA NOVEL VOLUME 1 & 2 ARE HERE

I’m beyond excited to share these with you, I can’t believe we’ve done it! I’ve written it in the novel itself but I can’t repeat enough how amazing everyone’s work is and how much I’ve enjoyed working with everyone on this. A BIG BIG thank you to the participants and followers of the project. ♥ If there happen to be any updates/late changes, I will let you guys know in a separate post.

A little HOW TO under the cut just in case

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reblogged
Matthew López, who made history on Sunday as the first Latiné playwright to win the Tony Award for best play, will have his feature directorial debut with the LGBTQ+ romantic comedy “Red, White & Royal Blue.” The Amazon Studios production is an adaptation of Casey McQuiston’s 2019 best-seller of the same name. It centers on a star-crossed power couple — the Latiné character of Alex Claremont-Diaz, the son of the president of the United States, and his relationship with Prince Henry, grandson of the Queen of England.
López wrote the script in addition to being tapped to direct the film. Here’s the official logline: “What happens when America’s Prince falls in love with an actual prince? The film follows Alex Claremont-Diaz who, upon his mother’s election as president, was promptly cast as the American equivalent of a young royal. Handsome, charismatic, brilliant―his image is pure millennial-marketing gold for the White House. There’s only one problem: Alex has a long-running feud with his royal counterpart across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S.-British relations take a turn for the worse. Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals. What at first begins as a fake, Instagram-able friendship grows into something more meaningful than either Alex or Henry could have imagined. Soon Alex finds himself hurtling into a secret romance with a surprisingly unstuffy Henry that could complicate his mother’s re-election campaign, upend two nations and begs the question: Can love save the world after all?”
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