— F. Scott Fitzgerald, from The Love of the Last Tycoon (via lunamonchtuna)
"Good morning, Jack. How was your night?", Vardges Petrosyan (translated by metamorphesque)
Julia de Burgos, tr. by Jack Agüeros, from Song of the Simple Truth: The Complete Poems of Julia de Burgos; "Moments"
[Text ID: “Me, inside myself, / always waiting for something / that my mind can’t define.”]
the opalescence in this is amazing
a girl of fear, a woman of anger— look how we've grown
saw that a few other people also wanted the sources so i did my best to find them :) girls contain multitudes, heather o'neill / king, florence + the machine / ? / In the Dream House, Carmen Maria Machado / ? / cassandra, florence + the machine / haunted womenhood, ruth franklin (i think) / crush, richard siken / ? / a womans beauty, susan sontag / a vision of fiammetta, dante gabriel rossetti / stop me, natalia kills / fury, yevgeny yevtushenko
Natalie Wee, Least of all
Image I.D. — “I kneel into a dream / where I am good & loved. / I am good. I am loved.” — End I.D.
one of the biggest things I can advocate for (in academia, but also just in life) is to build credibility with yourself. It’s easy to fall into the habit of thinking of yourself as someone who does things last minute or who struggles to start tasks. people will tell you that you just need to build different habits, but I know for me at least the idea of ‘habit’ is sort of abstract and dehumanizing. Credibility is more like ‘I’ve done this before, so I know I can do it, and more importantly I trust myself to do it’. you set an assignment goal for the day and you meet it, and then you feel stronger setting one the next day. You establish a relationship with yourself that’s built on confidence and trust. That in turn starts to erode the barrier of insecurity and perfectionism and makes it easier to start and finish tasks. reframing the narrative as a process of building credibility makes it easier to celebrate each step and recognize how strong your relationship with yourself can become
fawzul himaya hareed (@milodrama) reimagining shame, on writing and being seen (link to substack) \\ @allsadnshit \\ alyse leah angélique des francs on lirr train \\ sam sax xenotransplantation (via @cloudswamp) \\ liana finck
Nicole Krauss, The History of Love
i suppose i love this life, in spite of my clenched fist.
Time Is A Mother, Ocean Vuong // The Brothers Karamazov, Fyodor Dostoyevsky // The Cow, Ariana Reines // Ask Polly, Heather Havrilesky // October, Mary Oliver // Dead Stars, Ada Limón // Night Walk, Franz Wright// Xenotransplantation, Sam Sax // Angels In America, Tony Kushner // Birthday, Andrea Gibson (thank you @saint-garbage,i have zero idea whether they are poems or quotes for most of them, so i can't help out there, forgive me, i'm trying my best)
for @shestrying
I think I was just born with something dark and ugly inside of me. Always waiting to be found out.
planetarium - adrienne rich/@twoheadedfawnn/ugly, bitter, and true - suzanne rivecca/a burning hill - mitski/a hora da estrela- clarice lispector/ @100493503004422/sharp objects - gillian flynn
Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"
On becoming someone else
i. War of the Foxes, Richard Siken / ii., v., viii., xi. Leisure, Hannah, Does Not Agree with You, Hannah Gamble / iii. unknown / iv. Mimmo Paladino / vi. Book 20e, In between here and there, Beata Wehr / vii. unknown / ix. unknown / x. @heartlessqueen
i get mean when i’m nervous like a bad dog
Unknown/@papayajuan2019/a hero of our time - mikhail lermontov/poor things (2023)/ @sarakleijn/venetta octavia/ @papayajuan2019/@ https.c0rps3 on instagram/cop car - mitski
Katherine Mansfield, from a letter to John Middleton Murry