A) holy shit the influx of Outsiders blogs makes me so happy and I need to reread the novel. B) I'm out of a laptop for now because my laptop was school provided and now its summer so I'll only have a computer at my grandparents house so expect inactivity.
Now, don’t lose your FIGHT, kid,
it only takes a little push to pull on through,
with so much left to do;
you’ll be missing out, and we’ll be missing you
“You know you really shouldn’t be out this late.”
“You should speak for yourself; beautiful woman are more prone to disappearing over kids.”
i want my muses to have more deep conversations. like reacting to things is cool & putting them on the spot is fun but exploring their mind with the help of another muse & watching your muse discover who they are gradually & dig into the depths of their soul man i need more of this.
Takes a step forward and in one set of rapid thrums he’s back in the old house, in the Phoenix dry heat and he’s staring at his brother, his baby brother, the one he should’ve SAVED. His balance is off but just steady enough for him to look the boy in his eyes, that ghost of a boy that just can’t be his brother.
Another step forward. Fingers curl gently around to cup the younger’s
cheek like he can’t be real– FEELS SO REAL. “I saw you torn to
pieces, Sammy.” He murmurs, empty street becoming the once
HOME where he found the remnants of his little brother. Scourged
over a time forgotten that seems so much more pleasant than the
scent of rotten fish and DEAD MEN on that rough, Santa Carla
humidity. “Why’re you haunting me like this? What did I do to you,
huh?” The touch becomes ever so slightly rough before he pushes
the other away, takes a step back and in a FLASH it’s back to empty,
pallid lamplight, still looking at his goddamn dead brother.
“Mike, what’s going on.” He wants to know what’s wrong, and yeah he knows he’s part of the problem too, but whatever this is it’s not fully a reaction of his presence. That much he can just feel. He lets Michael get angry, taking his own step forwards to frown at the sight of his disheveled brother. Just wants to cling to him, but a loud part of him tells him its a bad idea.
“The world likes to keep secrets. Things aren’t always what they seem, and I’m sorry. But you have to tell me what’s wrong. Tell me why you’re acting this way. Michael, please.” There’s another step forwards, reaching childishly for his older brother. Like years before, like the young kid asking to sleep in his brother’s bed because they watched a horror movie that mom said that Sam wasn’t old enough to see yet. “Mikey.”
One Hundred Ways to Say ‘I Love You’
- “Pull over. Let me drive for awhile.”
- “It reminded me of you.”
- “No, no, it’s my treat.”
- “Come here. Let me fix it.”
- “I’ll walk you home.”
- “Have a good day at work.”
- “I dreamt about you last night.”
- “Take my seat.”
- “I saved a piece for you.”
- “I’m sorry for your loss.”
- “You can have half.”
- “Take my jacket, it’s cold outside.”
- “Sorry I’m late.”
- “Can I have this dance?”
- “I made your favourite.”
- “It’s okay. I couldn’t sleep anyway.”
- “Watch your step.”
- “Here, drink this. You’ll feel better.”
- “Can I hold your hand?”
- “You can borrow mine.”
- “You might like this.”
- “It’s not heavy. I’m stronger than I look.”
- “I’ll wait.”
- “Just because.”
- “Look both ways.”
- “I’m sorry. I didn’t mean to.”
- “Try some.”
- “Drive safely.”
- “Well, what do you want to do?”
- “One more chapter.”
- “Don’t worry about me.”
- “It looks good on you.”
- “Close your eyes and hold out your hands.”
- “That’s okay, I bought two.”
- “After you.”
- “We’ll figure it out.”
- “Can I kiss you?”
- “I like your laugh.”
- “Don’t cry.”
- “I made this for you.”
- “Go back to sleep.”
- “Is this okay?”
- “I picked these for you.”
- “I’ll drive you to the hospital.”
- “What do you want to watch?”
- “You can go first.”
- “Did you get my letter?”
- “I’ll do it for you.”
- “Call me when you get home.”
- “I think you’re beautiful.”
- “Are you sure?”
- “Have fun.”
- “Sit down, I’ll get it.”
- “I made reservations.”
- “I don’t mind.”
- “It brings out your eyes.”
- “There is enough room for both of us.”
- “You don’t have to say anything.”
- “Wow.”
- “Happy birthday.”
- “I’ll pick it up after work.”
- “It can wait until tomorrow.”
- “Cross my heart and hope to die.”
- “It’s two sugars, right?”
- “I’ll help you study.”
- “Stay over.”
- “I did the dishes.”
- “You didn’t have to ask.”
- “I bought you a ticket.”
- “You’re warm.”
- “No reason.”
- “I’ll meet you halfway.”
- “Take mine.”
- “We can share.”
- “I was just thinking about you.”
- “I want you to have this.”
- “Call me if you need anything.”
- “Do you want to come too?”
- “I’ll still be here when you’re ready.”
- “Is your seatbelt on?”
- “Sweet dreams.”
- “I was in the neighbourhood.”
- “Stay there. I’m coming to get you.”
- “The key is under the mat.”
- “It doesn’t bother me.”
- “You’re important too.”
- “I saved you a seat.”
- “I’ll see you later.”
- “I noticed.”
- “You can tell me anything.”
- “I hope you like it.”
- “I want you to be happy.”
- “I believe in you.”
- “You can do it.”
- “Good luck.”
- “I brought you an umbrella.”
- “I’ll pick you up at the airport.”
- “Take a deep breath.”
- “Be careful.”
And…
- “I love you.”
—deathxbystereo
There’s a line ( or two ) of cocaine still rattling his rib cage, heart thrumming in a dangerous rhythm that makes his head spin and his problems dissipate in whir of hyper erratic sights and sounds. Doesn’t feel like himself… likes it; the distance from it all the way he fingers tremble as he clutches lamppost in desolate street for stability. A wave of Santa Carla heat makes him pleasantly nauseous, an indescribable soundness in the feeling. And then he sees him, hazy and dreamlike at first as if it’s all a HALLUCINATION forged by the drugs and he practically vomits but contains it with half of a heave, the back of his hand pressed to lips.
“I doing this… to forget about you, Sammy… You can’t just do this. You can’t… you can’t… it’s not fair to me, Sammy.” Prays his words don’t slur to terribly. Doesn’t want his BROTHER to see him like this even if he’s a mere phantom.
It’s the drugs… it’s just the fucking drugs, Mike.
Life’s been weird, fucked up, strange, any sense of the word since the very day he ‘died ’ (for lack of a better word). Tonight’s just another night on his own, and it’s a rarity when he does spend the entire night with someone. He lives on his own, is slumming it in a different hotel room every night really living though? Sleeps all day, tapes down the blinds, bought a new dog. Doesn’t quite know much else of his life besides food. Tonight’s one of those nights where he can’t hold back being absolutely starving any more.
The voice just screams the words of THIS WAS A BAD IDEA everywhere. In the deepest darkest corners of his mind, until his brother speaks. And the way he acts is just ever so slightly... off. “Mikey? What’s up with you? What’s going on?”
“So you want me to do this alone?” The vocalization is brittle, sounds as if
he’s starting to come apart at the seams and in all earnestness it was likely
he was. His brother– his little brother, the one he sought to protect, the one
he held most dear– was a VAMPIRE. Sam, his brother, a half of him,
had taken a life and sealed the deal on immortality. “She doesn’t have to
know, Sam, she doesn’t have to find out, you could at least
SAY SOMETHING TO HER , ANYTHING , I don’t care! But you can’t just
abandon me, we PROMISED!”
“Mikey, she can’t know. She knows and... that’s it. I’m gone. I don’t want to leave, but mom can’t know anything.” He demands, and it’s pretty clear that he’s not gonna drop it on Michael’s side of the conversation. He’s almost amazed he hasn’t just up and left is brother alone by now. But the promise, it’s the only reason he hasn’t left. “Can we go... like to my hotel or a restaurant? I can pay for it if you wanted food.” Mostly because the people he needs to stay alive, pay his rent.
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“You think she’ll believe that, Sam? I’ve already done just about everything I can, lied to her in every way I know how to make her feel better, it’s not like she’ll buy it for much longer.” He hisses, the anger in his tone eclipsed by a deep-rooted sadness, the seedling of LOSS planted just over the morbidity of RAGE. Because no matter how hard he tries, no matter the fact this is his BROTHER, he can’t help but feel a certain anger that chewed through to the bone.
“What else am I supposed to have you say? Michael, she can’t know. All she ever wanted was to protect me, and I fucked it up. I’m disgusting and everything she wanted to protect me from. I can’t telll her this, and you won’t either.” He practically demands it to him. He can’t tell his mother, because if he does, he has to leave. Because he can’t do that to her. Or his grandpa. It’s amazing he let Michael know.
Was it acceptable to mourn the loss of his brother when he wasn’t
really gone? Michael doesn’t know what to think; it had the weight of a
loss and yet his brother was still standing there, physical and in all
technicality not dead ( exactly ). “She hasn’t left the house in days.”
He whispers. “The least you could do is leave a note, tell her you just
need to get away or something, I don’t know anything. She’s killing
herself like that, Sam!”
Sam’s heart tugs a little, just letting his eyes slide shut. He isn’t sure just what to say to Michael. But his lips part to answer him anyways, because mom can’t know. She can’t know anything. “Tell her... Tell her you bumped into me, tell her I told you I was sorry, and suffocating and booked it before you could stop me.” He offers, attempting to offer some resolution so that his mother doesn’t just waste away all by herself. Well with Michael. But still alone. “Mom can’t know.”
Heart leaps up in his throat and he feels nauseous, hands forced to find the wooden rails of the boardwalk to grip onto to keep himself standing. His little brother, the one he loved, he couldn’t have. The sound that leaves his lips is a pained breath, something close to a sob without the edge and he focuses on his breathing for a long time, still can’t even face the other. “I just want my brother back, Sam, please– remember what we said? If dad left we had to stick together, we’ve got to stick together, Sam. PLEASE.” Grips rail a little tighter before turning his head.
“—Please, just… I don’t want to lose you, Sam. I can’t, please.”
The younger boy’s head shakes a little. He’s unsure himself. Not sure what to tell Michael. That his brother is still in there? Because he is, but there isn’t much left standing. Just an empty shell, an a face. His little brother is gone for the most parts. Whatever remains isn’t really him. But Sam just sighs. “I don’t... I can’t be Sam fully again. But we can talk, and hang out a little sometime. Just... I’m not coming home. Not after all of this happened. And mom can’t know. Grandpa can’t know. Nobody.” Just Michael. Because Michael’s the only one Sam trusts fully. “Okay?
His breath is naught but a shudder past lips, feeling distant from himself for a brief second, as if watching from afar, from some nondescript’s point of view and for a second everything is alright. Everything is not alright. The words don’t come in part because he wouldn’t know what to say and because he just can’t. Just stares at his brother before releasing his grip, fingers moving to cover lips before he can finally compute a verbal reaction.
“Who was it, Sam? I’ll stake the bastard and we can just get this over with. Sam, please, it’s okay now. We can fix this. It’ll be just like last time, you just have to tell me who the head vampire is…”
Oh dear Michael. He doesn’t know yet. Doesn’t know why it’s just not that easy to get back his Sam. Because his Sam is dead. The one in front of him opens lips to speak, before letting them shut again. Unable to spit it out immediately. It takes a good few minutes for his lips to open again; finally speaking words Michael definitely doesn’t want to hear.
“It’s too late for that.”
It’s split second the way Michael closes the gap between them after he speaks, hands gripping the others shoulder and he gives a firm shake. “What did you do, Sam? What the hell did you do?” The anger in his tone is eclipsed by FEAR, shadowed over by some form of unspoken grief and he knows the answer to his own question– had feared it from the beginning– but just has to hear it for himself.
He’s almost frightened by the reaction his brother has, but he’s not surprised at all. Just avoiding eye contact, “I needed something to do. When you left. And the Frog brothers and I kept working together. I thought I’d be okay... and I couldn’t.” His voice is just so soft, hesitating. Still avoiding eye contact, still almost scared by it. But he knew it’d probably come around.
dear health teacher; no one. literally no one knows what the four essential components of effective refusal are.
The most he can manage is to blink, like maybe the image of his brother is a mirage he’s stumbled upon in some form of STUPOR. “Sammy?” Takes a step forward, slowly, like his little brother is an animal he’s trying tenderly not to scare off. “Where the hell you been, we’ve been looking everywhere for you…”
This is gonna be bad. The first words out of his mouth almost an instant give away. But he has to set it down this very moment. “Don’t tell mom, Mike. You can’t tell her I’m okay. She needs to think I’m...” Dead. Because dead is better than undead. Because he can’t do that to his mom. Not after she promised they’d be okay. Because he fucked that up. “You can’t tell mom.”