Mural Dé Imperial

Ewa Partum, Stupid Woman — Performance, BWA Krakow, 1981

Metahaven, Qualia & Grandmother (2022). Tapestry, 245 x 150 cm. Exhibition view at “Liquid Life,” Super Dakota, Brussels, 2022. Photo Adriaan Hauwaert.

Moyra Davey.  Subway Writers, 2011/14.

MOA II Thoughts about typography & graphic design education  —— Crossed w/ Craters Research from online Nasa’s Control Panels  1959—2019 [At] http://images.nasa.gov Search for “Craters” results Conception & Design: Alex Dujet (Futur Neue) www.futurneue.cc Research project published on futurneue’s Tumblr https://futurneue.tumblr.com © Futur Neue - 2020

#futurneue

MOA II Thoughts about typography & graphic design education  —— Crossed w/ Craters Research from online Nasa’s Control Panels  1959—2019 [At] http://images.nasa.gov Search for “Craters” results Conception & Design: Alex Dujet (Futur Neue) www.futurneue.cc Research project published on futurneue’s Tumblr https://futurneue.tumblr.com © Futur Neue - 2020

#futurneue

AG Fronzoni, I Manifesti di Michele Spera, 1979, MoMA, New York, NY

cihantamti 

Sustainability

betrayed by life

via Pinterest

@codeastudio 

Backside of vinyl cover Oliver Torr – Fragility of Context

Spring 1883 Art Fair, Utopian Slumps Melbourne 2014 more here

Relief with Winged Genius (Apkallu) detail, from the Northwest Palace of king Ashurnasirpal II in the Assyrian Imperial capital of Nimrud, 883-859 BCE, The Walters Art Museum.