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long live the walls we crashed through

@stoodwithourshakinghands / stoodwithourshakinghands.tumblr.com

emily | jade
red tour 11.2.2014
1989 tour 24.6.2015
rep tour 8.06.2018 / 22.06.2018
UK
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vigilantesyd

do you ever think about the fact that for the entirety of taylor swift’s career even though she did everything right for a girl who started out being fifteen the whole narrative (until they found something else to be mad about) was that she was “too nice” and there was no way she was REALLY like that and like do u ever think about that and want to burn down the whole world for pure baby taylor swift who was really just that nice and liked sparkly dresses and watching cat videos?????

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repswitf

guys ... her mind fucking

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r-i-swift13s

YES YES YES YES

WAIT IT GETS BETTER

everything that happens in those rooms is literally the narrative of those albums.

Red room (red): her man makes her jealous/maybe cheating, the Taylor from the yellow room (fearless) is out of place, lots of friends

Black attic (rep): she holes up with just her lover and private time with nobody else

Pink room (lover): she's happy and close with him but also has happy time to herself here, a balance, happiness

Blue room (1989): when her fame spiked and her life became a fishbowl of voyeurs and any lover she had entered the fishbowl alongside her

Green room (debut): he's just putting up a frame showing they just began, she just plays instruments innocently enjoying her time with her lover, no real understanding of love yet

Purple (speak now): SHE IS JUST IN IT ALONE SINGING & PLAYING PIANO BECAUSE SHE WROTE IT BY HERSELF (they also have the cute dinner and dance in here, like the love she fantasized about on this album)

Yellow (fearless): playing board games and living life upsidedown - this one is the only one im not sure about? maybe that's the era where her life literally turned upsidedown from fame???

TAYLOR DID I GET IT RIGHT

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taylorswift

😃🐣🐥

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someone PLEASE tell me they understand, but paper rings (arguably the best song), mostly the verses sounds so much like katy perry’s first album in the absolute best way

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“Lover is, fittingly, evolutionary rather than revolutionary. But nevertheless it feels like an epiphany: free and unhurried, governed by no one concept or outlook, it represents Swift at her most liberated, enjoying a bit of the freedom she won for her cohort.”

— Rolling Stone on Lover (x)

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