Neurotic Miniature Securitron

@neuroticminisecuritron / neuroticminisecuritron.tumblr.com

☕ Indie, Canon Fallout: New Vegas Muse ☕ Mun is 30+ years old. Will interact with anyone! ☕ NSFW Content with trigger tags added.
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kapi-tanka

i feel so bad about not posting anything for pride month :( i'm always so busy in summer it's insane (and i never participate in cool stuff like art fight for the same reason) but it's always pride in my heart so enjoy this silly piece. they seem like exes to me lol plus i imagine brotherhood dating scene like the same 5 queers just passing their exes between each other

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confuzing

I'm glad the Fallout show is good but wanting to bone a ghoul doesn't make you a monster fucker. Ghouls are just people with bad skin conditions. They're not monsters and the newer ones aren't even that gross looking you cowards.

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Anonymous asked:

read your criticism and have a genuine question about your thoughts on the branding scene. i completely understand how max's branding is inherently tied to a racist history, and it always will be, but i dont feel like the scene itself was written with that bias/intent. thaddeus also gets branded in later episodes and it's implied to happen to every aspirant upon their promotion. at what point in writing are black characters morally barred from specific story points because of their similarities to a history that's not directly related? sort of similar with barb, at what point can black characters not do bad things at all, especially in a story where there are near a dozen non-black characters who do worse things? also considering it's implied (at least, i understood it as) she's sticking to vault-tec to protect her family?

I am not in the best position to comment on this, because I am not black. I will do my best to add what I can, but this is a space for others to chime in.

Barb is interesting because she's essentially become the person who did the most heinous crime in the entire setting- by far and away worse than anything anyone has ever done. There really aren't white characters who did worse things- because all the crimes of Caesar or the Enclave or whoever else pale in comparison to being the one who literally set into motion the total annihilation of all nations on Earth.

The issue is they've created a setting that is, as presented, colorblind. Race is invisible to the writers, who did not consider it meaningfully while producing the show- as is often the case with white creatives putting characters of color into their stories. This is not inherently bad- many great scifi stories feature a largely colorblind setting. Look at the relative inclusivity of star trek as an example.

The thing that makes Fallout different from Star Trek however is that this is a show that is intensely concerned with depicting the specific brand of nationalistic American politics of the 1950s and the Cold War- and they've reproduced that system for the show but with a black woman at the head. That's where the issue comes up.

This was a system that had racism baked into it by design. It still does. American Nationalism and corporate violence are built on racism against black people and other minorities. And this show desperately wants to depict these things, but they've decided to put a black woman at the head of them. They're depicting systems that are, by their nature, violently racist- but they've decided to portray them as being run by a black housewife.

Fallout 3 does a similar thing with how it depicts every major slaver as a black person. Eulogy Jones, the slave buyer at Paradise Falls, the head slaver in the Abe Lincoln memorial, Ashur in The Pitt. Hell Mothership Zeta adds in a black woman from the wasteland and even SHE'S revealed to have been a slaver. This is something Bethesda consistently does- depicting ideologies and practices with a deep history of racialized violence- and then showing black people at the head of them, seemingly to try to skirt around actually addressing racism meaningfully in their stories. (I use Fallout 3 as an example but Fallout 4 does many of these same things.)

Thaddeus does also get branded, and he does also get treated to the same demeaning servanthood as Maximus. The difference, quite frankly, is that Thaddeus is white. There are just some things that are straight up inappropriate to depict happening to black characters. Never before this series has the Brotherhood ever done brandings- and yet this show opens with it in the first episode and introduces this brand new jarring concept with the visceral image of a black man being branded by faceless fascist cultists.

It's also important to note that even if they didn't intend the scene as racist, it still is. Like I don't think the scriptwriter sat down and said "oh I'm gonna do a racism" cuz intent just doesn't matter here. The scene was intended as a way of showing the severity of the brotherhood- but it also thoughtlessly reproduces images of historic black violence.

@orange-coloredsky I know you've been talking about this stuff all day, and your initial posts about the antiblack racism in the series were what prompted me to write my thoughts today- which is what this ask is in response to. I was curious if you have any other input with all this.

I'd also be more than happy to have any additional input from people better suited to answer these questions.

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starting first off with: it does not matter the "intention" of the people depicting racist stereotypes or acts in media or art -- racist depictions are racist depictions. end of. the idea that "intent" somehow changes the racist-ness of an act or image is ignorant of the causes & reality of racism: it is not simply bad people doing bad things, but rather a systemic and societal othering of anyone who falls outside of the category of "white". the "intent" behind a white production team deciding to show a Black man getting branded (and not only getting branded, but refusing any aid to lessen/brace for the pain -- which perpetuates another stereotype based around Black peoples' and darker skinned peoples' higher pain tolerance... which is an actual pseudoscientific myth that kills people around the world.) does not matter to me, a Black person having to witness the pointless, racist absurdity of the scene. nor does it matter to white supremacist chuds who clap and cheer at depictions of violence against racialized minorities.

bethesda is not uniquely antiblack, but they do have a long track record of representing Black characters in horrible, horrible ways. which also adds to why maximus' treatment is exceptionally worse, even in comparison to the white man thaddeus who also is made to be subjugated and brutalized. im not saying if this was a unique situation of antiblackness on behalf of the team i'd be less affected, its just infuriating to know that this team is getting away with pushing out gutwrenchingly racist content for years. see the examples above -- as well as

- X6-88 being an emotionless, obsessively violent, literally De-Humanized servant to either the player character (in a majority-white male demographic) or a fascist dictator

- Glory, the sole named Black female character in the whole of fo4, who is triply-marginalized by in universe standards (a woman, Black, and a synth) who gets murdered by the hypermasculine technofash race-supremacists in the Brotherhood or by her own former-oppressors in the Institute. no matter what ending you take.

[ID: a screenshot of the anonymous ask. it reads: " At what point in writing are Black characters morally barred from specific story points because of their similarities to a history that is not directly related? Sort of similar barb, at what point can Black characters not to bad things at all, especially when there are near a dozen non-black characters who do worse things?" End ID.]

this question is fucking baffling to me because Black characters are consistently exposed to violence, dehumanization, ridicule, demonization etc in media. It Is The Norm. its wild to think that somehow asking for less of this is a "challenge" to the world of art, or some sort of slippery slope into silencing of artistic expressions. standing on some artistically moral high ground on a topic one clearly does not have much knowledge of, and then asking a nonblack person to speak on this kind of turns my stomach. violence against Black and Black-coded characters in media is the norm. all bethamazon had to do was see the cut of maximus getting branded and realize "hey this is fucked and not anything we've done in any previous titles. maybe we should scrap this plot point, and replace it with something else." to the part on "similarities to a history not directly related", i direct you to the bell hooks quote i recently posted (hyperlink isnt working but i'll get on that). art is political. images and especially images of identities outside of the white cultural hegemony are going to be steeped in the author's preconceived notions of said identity, and consumers of that image willingly or unwillingly add that image to their understanding of that identity, if the consumer is not aware of and willing to cognitively challenge these images. bell hooks is not the only cultural critic to point this out, just the one i happen to be reading a lot of currently.

i know looking at works of fiction in a political/"moral" light is a Hot Fandom Topic but i cant stress enough how any handwringing about "purity culture" and "censorship" is a false flag being raised to shut down any sort of critical thinking on behalf of nonblack fans when it comes to the treatment of Black characters in media. the standard of dehumanization and abuse of Black people in images, fictional and not, has been the standard for CENTURIES. white creators have gotten away with incorrect and stereotypical depictions of Black characters since they started designing advertisements for the slave trade. and the reactions of white and nonblack spectators for years have been shoulder shrugging or "its just an image"-ing if not outright support and acceptance of these images. it is not revolutionary, pushing barriers, or exploring new artistic ground to be cruel and violent towards one's Black characters. in fact, the exact opposite is true.

i wont lie, unless the original asker wants to come off anon and pay me for the hour i spent articulating this oh so nicely as to not seem like a scary Black person who hates white people and makes them sad when i teach them antiblack racism is systemic and appears in art as frequently as it does anywhere else, im not saying any more on this topic. thank you op for your response and for tagging me. genuinely. i hope even people who tend to generally agree with me still learned something from this

Addition to this: if others STILL want to defend bethesda. Do NOT... Seriously don't.. If you wanna go over lore of fallout. BoS KNOW to not ever brand a black guy in the back of his neck. They know old world america history. They are fully aware of slavery and all that. It's their thing to KNOW about history of america...

bethesda's fallout is not just fiction anymore, they are outright being racist assholes. And I'm honestly scared because of this fuck up bethesda pulled, on purpose no less, will just enforce racism as the norm. It's bad enough as it is..

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datura-tea
Anonymous asked:

im so happy to be following a bog that still talks about ulysses in 2024!!! i played fnv a long time ago, and i love that funky guy. it makes me happy to know people havent forgotten about him

i love him so much he's so special to me 🥰 if ulysses has 1000 fans im one of them if he has 1 fan that's me if he has no fans then im dead etc etc

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