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read & bite

@potionbooksandcookies / potionbooksandcookies.tumblr.com

personal sideblog • inspiration, writing, art, aesthetics • slytherin/horned serpent/f/bi/twentysomething/drarry squad
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mostlyginger

can we just talk about the time that Lupin was recovering from a full moon and Snape taught the DADA class and made all the students write essays on how to kill werewolves for Lupin to read when he got back I hate Snape so much it’s not funny

Lupin gets back and he feels like crap and suddenly his best friend’s son is writing an essay about how to kill him like that is so fucked up

Bear in mind that an ex-Death Eater does this to someone who was in the Order, risked his life fighting against said Death Eaters and lost his best friends to the Death Eater’s genocidal leader, for the sole purpose of screwing him over, and as far as we know he experiences no consequences whatsoever for doing so.

And if that wasn’t enough, he made them write those essays hoping some of them would realize Lupin’s a werewolf. And one did, but Hermione is a fucking DECENT HUMAN BEING and said nothing. Apparently the ‘insufferable know-it-all' can keep her mouth closed, when it’s for something important. Just like Snape didn’t do at the end of the book.

I’m getting mad, so here’s something I’ve realized while reading The Order of the Phoenix again. (Please keep in mind that my books are in Italian and some concepts might be hard to explain, I apologize for my English mistakes)

In chapter 14, when The Trio talked with Sirius, he said that two years before Dolores Umbridge had written a law against werewolves that made it almost impossible for Lupin to find a job.

Now ask yourself this question. Why two years?

What had happened two years before? During Harry’s third year? Oh, right. The Magical World had discovered that one of Hogwarts’ teachers (someone who was in constant conctat with their children) was a werewolf. Does that ring any bell?

But that’s not all! If we take a look at chapter 15, in the Daily Prophet article we can see a familiar name: Remus Lupin. In a newspaper. Where everyone can read it. “The werewolf Remus Lupin”. No wonder he couldn’t find a job! And it’s not the first time the Daily Prophet has written about him, as it’s stated in the article itself. There must have been a huge scandal when it had all come out.

So basically, when Snape decided he couldn’t bear not having what he wanted (for example, SIRIUS BLACK GETTING KISSED BY A DEMENTOR) and spilled the secret, he didn’t only tell the whole school. He didn’t only tell the kids’ parents. The told the whole Magical World.

He told the whole Magical World that a man who had kept his condition secret all his life was a werewolf.

And the Magical World responded with a law against werewolves.

So, basically, Snape didn’t only ruin Remus Lupin’s life. He ruined the life of every single werewolf in the UK.

But, you know. Bravest man I ever knew.

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re-cover-ed

“Fat acceptance” blogs urging overweight people to shed negative feelings about their body image can lead to healthier diet and exercise choices, a study has found.

The fat acceptance movement, which seeks to foster a support network among overweight people, has inspired a plethora of blogs and web forums such as CorpulentFat Heffalump and The Rotund — an online community that’s become known as the “fatosphere”.

In a study published in the journal Qualitative Health Research, researchers from Monash University, the University of New England and the University of Canberra interviewed 44 fatosphere bloggers from Australia, the US and the UK about how their involvement in the movement had changed them.

“There’s been a lot of criticism of the movement that it promotes obesity and encourages people to give up on weight loss and makes their health worse,” said one of the researchers, Dr Samantha Thomas, a Senior Research Fellow at Monash University’s Department of Marketing.

“We saw there was a lot of opinion about the movement but very few people had actually studied it.”

Interviews with the respondents revealed many had experienced feelings of worthlessness, shame, crash diets, cycles of starvation and binge eating and laxative abuse before discovering the fatosphere.

“Having that support and feeling empowered, people slowly found that their health behaviours began to change dramatically. For example, many people suddenly felt confident to do swimming, something they would not have done before,” she said.

“People shifted their focus away from weight loss and more toward health. A lot of people started to take part in physical activity not as a way to lose weight but because they enjoyed it. Instead of pounding it out on the treadmill they start playing with their kids. It’s actually a massive shift in the way they looked at things.”

Shifting the focus away from restricting food and toward listening to the body’s needs could also lead to better food choices, said Dr Thomas.

“There are actually a lot of lessons for public health here,” she said.

“The term fat acceptance is really confronting for people. That’s why we have seen a lot of blame and criticism. Society tells us it’s not OK to be fat for a whole bunch of moral and medical reasons,” she said.

“This study shows that far from promoting obesity and promoting negative health behaviours, the movement is really positive for some people’s health.”

So basically, if fat-bashers actually cared about people’s health (as they so often claim to as an excuse for their intolerance and hatred) then they’d actually support fat acceptance instead of trying to tear body-positive folks down?

Surprise! When you’re not made to feel miserable about yourself, you become more motivated to take care of the self that you have. Who knew?

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rubyspoon

Inspired by this one guy I saw in Cambodia in the rain back in august. Though  speaking of rainy weather, why doesn’t it feel like winter right now? There’s no snow and i’m sad.

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Helpful things for action writers to remember

  • Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll. 
  • Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast. 
  • Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention. 
  • Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them. 
  • Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently. 
  • ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face. 
  • Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
  • Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone. 
  • A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way. 
  • If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword. 
  • ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters.  (CLICK ME)
  • If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability. 
  • People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot. 
  • Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME
  • If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here. 

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ave-aria

How to apply Writing techniques for action scenes:

- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.

Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.

If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)

Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.

@riroses reference for ya :)

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Reblog If You Can Take Off Your Bra Without Taking Your Shirt Off.

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50eathaters
    Girl’s are amazing

I think we broke the notes…

i feel like i’m reblogging history. “the post that broke the notes”

THERE ARE NO FUCKING NOTES

WE HAVE REACHED INFINITY

what the heLL

Um….guys….

There are negative notes….

WHY ARE THERE NEGATIVE NOTES?

HOW ARE THERE NEGATIVE NOTES?!?!?!?!

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dellbby

Its in the black hole of tumblr

At time of reblogging, this post has 1 note :’)

Uhm nothing was there then I hit the heart and 1 note popped up.. Guys I’m scared..

it has reset to 0 notes. what have you done?

image

now it’s floating in the middle of the thingy

EVERY DAMN TIME

There’s literally nothing there. 

What is this? 

I couldn’t scroll past this. I need to be part of history for this. There are no notes do you even realise

Let it be known I was here on this day of march twentieth twenty sixteen and I’m laying in bed at nine thirty am

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i-am-loco

WOO NO NOTES PARTYYY

WTF IS THIS?!?! IM CONFUSED NO NOTES WUT DA ACTUAL FUCK

I LIKED IT AND IT HAD ONE NOTE.

ONE.

NOTE.

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animationnut

Oh wow there are seriously no notes..

What the heck.

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knightnicole

OH MY GOSH IT’S TRUE. There were 0 notes, now i liked and just one note popped up! I’m.. I’m not sure how this can happen..? But now I’m part of history YEAH 24th March 2016 - 03:05 am

WHOA SO WEIRD

I just had to see it for myself and it’s true. Holy crap.

On this day, March 24th, 2016 at 12:22 in the afternoon, I have made myself part of history.

it’s back

Huh….

I’ll probably always reblog this

I feel like tumblr staff have been motoring this post and they put a special code in it so no notes ever show up

This post is historic

Wtf

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gouacheboy

Me writing fanfic:

  • Too, many, commas,,, 
  • Is this ooc?? 
  • I used that word already 
  • Do people even blush this much?? 
  • *squints* Is that canon?
  • Tropes
  •  *cries while writing death scene* 
  • Wait what happened last chapter? 
  • I wrote like a thousan- 354 words!? 
  • *googles the lifespan of a tropical fish* 
  • have I spelt his name wrong all this time? 
  • Would they say that tho? 
  • Changes plot 539932 times 
  • Looses inspiration, goes back to tumblr
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did-you-know

NASA created retro travel posters for different locations in our solar system in hopes of inspiring young people to imagine a future where common space travel is a possibility. 

these are really important to me

behind this 100% where do I buy prints

These are free for download and print! The files are 20x30 inches. I plan on emailing this one to my local print shop.

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harry: moony, wormtail, padfoot, and prongs? who are they? did u know them?
remus: -thinking about the sick burn his map alter ego just laid on snape; internally screaming GET REKT-
remus: we've met
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ozhawkauthor

The Three Laws of Fandom

If you wish to take part in any fandom, you need to accept and respect these three laws.

If you aren’t able to do that, then you need to realise that your actions are making fandom unsafe for creators. That you are stifling creativity.

Like vaccination, fandom only works if everyone respects these rules. Creators need to be free to make their fanart, fanfics and all other content without fear of being harassed or concern-trolled for their creative choices, no matter whether you happen to like that content or not.

The First Law of Fandom

Don’t Like; Don’t Read (DL;DR)

It is up to you what you see online. It is not anyone else’s place to tell you what you should or should not consume in terms of content; it is not up to anyone else to police the internet so that you do not see things you do not like. At the same time, it is not up to YOU to police fandom to protect yourself or anyone else, real or hypothetical.

There are tools out there to help protect you if you have triggers or squicks. Learn to use them, and to take care of your own mental health. If you are consuming fan-made content and you find that you are disliking it - STOP.

The Second Law of Fandom

Your Kink Is Not My Kink (YKINMK)

Simply put, this means that everyone likes different things. It’s not up to you to determine what creators are allowed to create. It’s not up to you to police fandom

If you don’t like something, you can post meta about it or create contrarian content yourself, seek to convert other fans to your way of thinking.  

But you have no right to say to any creator “I do not like this, therefore you should not create it. Nobody should like this. It should not exist.”

It’s not up to you to decide what other people are allowed to like or not like, to create or not to create. That’s censorship. Don’t do it.

The Third Law of Fandom

Ship And Let Ship (SALS)

Much (though not all) fandom is about shipping. There are as many possible ships as there are fans, maybe more. You may have an OTP (One True Pairing), you may have a NOTP, that pairing that makes you want to barf at the very thought of its existence.

It’s not up to you to police ships or to determine what other people are allowed to ship. Just because you find that one particular ship problematic or disgusting, does not mean that other people are not allowed to explore its possibilities in their fanworks.

You are free to create contrarian content, to write meta about why a particular ship is repulsive, to discuss it endlessly on your private blog with like-minded persons.

It is not appropriate to harass creators about their ships, it is not appropriate to demand they do not create any more fanworks about those ships, or that they create fanwork only in a manner that you deem appropriate.

These three laws add up to the following:

You are not paying for fanworks content, and you have no rights to it other than to choose to consume it, or not consume it. If you do choose to consume it, do not then attack the creator if it wasn’t to your taste. That’s the height of bad manners.

Be courteous in fandom. It makes the whole experience better for all of us.

Yup.

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darthstitch

Slaps onto blog.

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heidi8

Basically this.

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