FEMME FATALE

Date: unknown

Separation I, 1896, Edvard Munch

Punk-Tianguis Cultural del Chopo, Ciudad de México.

Max Ernst (German, 1891-1976), Savage Moon, 1926. Oil on canvas, 55.2 x 46 cm.

Raphael Lonné

Carrie Mae Weems, From the Kitchen Table Portfolio, 2003.

Anemone II, 2003. Wolfgang Tillmans. Chromogenic print

A tiny ruby throated hummingbird. 

Forest // Basswood Panel // Acrylic Gouache

Paul Klee - Suffering Fruit - 1933.

Franz Marc

“A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weep. From earliest childhood she has been taught and persuaded to survey herself continually.”

- Ways of Seeing by John Berger (1972)

Edvard Munch, themes of isolation:

Woman on sea coast, 1888

Evening melancholy , 1891

Robert Mapplethorpe, NYC, 1969.