@courtrecord / courtrecord.tumblr.com

riley • 24 • she/her
if we stop breathing, we’ll die. if we stop fighting our enemies, the world will die.
@rileyrethaI /// rib14 on ao3
Avatar

hey, i’m riley rethal!

i’m a pharmacy student who enjoys ttrpg design and fanfic writing. currently my main interests are casablanca (1942), andor & ace attorney, with the mainstays of friends at the table, greek mythology, and Learning About Stuff always in the background.

my main social media is twitter, and i plan to stay on it as long as it’s viable, but i’m back on tumblr now too!

my ao3 is rib14, and i’ve written:

  • court record companion (5.9k, T) a collection of tweets, texts, posts, and articles surrounding the first 4 aa games
  • when the chips are down (28.5k, T) my narumitsu magnum opus; a canon-divergent story of disbarment
  • the ones who deal the cards (2.1k, G) trucy & kristoph have a totally normal conversation in the basement of the borscht bowl club
  • yours forever (14.3k, T) the life and loves of thalassa gramarye, told in letters and memories
  • history lesson (1.7k, G) a conversation between mon mothma and 14 year old leia organa, set during andor s1
  • a few more ideas (8.4k, T) a canon-divergent andor fic where a certain character survives and fake dates another character and also i can’t help but be a sucker for mon/tay
  • the tree remembers (4.4k, T) leia organa in the aftermath of the destruction of alderaan, reflecting and moving forward
  • also a bunch of jaceaddax one-shots for the fatt fans out there, but i’m assuming u all already know me lmao

i’m currently publishing what the future brings, a post-canon casablanca fic, and it would mean the world if u checked it out! victor/ilsa/rick is so important.

my ttrpgs can be found at metagame.itch.io, and here’s a few of my faves:

  • galactic 2e: a game of rebellion, relationships, and war among the stars (what if star wars was good?!)
  • venture & dungeon: two games with a new perspective on the high fantasy genre (i wrote venture, which is like, what if dnd was good, dungeon is by jay dragon of wanderhome fame)
  • doikayt: a jewish ttrpg anthology i co-organized! it’s a got a bunch of jewish themed games by jewish ttrpg designers
  • the riot starts: a gmless game about a revolution in the literal capitalist hell of the underworld, inspired by hadestown
  • it’s been a long, long time: a two-player ttrpg about characters who are in love, are separated, and finally reunite

i haven’t done a ton of game design in the past year, but my main current wips are an untitled resistance system game inspired by fullmetal alchemist: brotherhood, and a game of card-based mini-games inspired by les mis called “music of a people”

so yeah, that’s me! i haven’t spent a lot of time on tumblr since 2015, so this will be an interesting experience. looking forward to posting with you all.

Avatar
Avatar
asneakyfox

the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.

btw this is maybe the single most key distinguishing feature of the terfy strains of radical feminism, the seed all the rest of it springs out of: they have absolutely no faith in the ability of feminism to actually destroy patriarchy. they do not think feminism can truly build a better world. they cannot really even imagine that possibility. they think patriarchy is an inevitable natural consequence of unchangeable biological facts, and therefore the goal of feminism can only be to mitigate the worst effects of patriarchy, not to get rid of it.

they can imagine a society where women get some designated safe spaces without men around. they cannot imagine a society where the presence of men is not inherently a danger to women.

Avatar
Avatar
prokopetz

I hope everybody who’s in favour of a robust public domain is prepared to conquer their impulse to get pissed off at remakes that egregiously miss the point of their source material, because as media from the 1930s and 1940s begins to enter the public domain in the coming years we’re going to be seeing a whole lot of that, and I for one can’t fucking wait.

Me, championing Public domain, seeing the Winnie the Pooh Horror movie posters: God is testing me

Avatar
reblogged

Secret samol gift for @courtrecord!! Jaceaddax mean everything to me and I loved the prompt of some diegetic writing from Jace's perspective!!

Summary:

Written by Dr. Jace Rethal-Dawn, published in This Branch Of Ours: Ancient Writings On Becoming Who We Are, edited by Ligature Dedicated to Addax Dawn. My love, in all the words I ever write, I can't hope to capture what you are to me. But in the striving, there will be a record that I lived, and that I loved you.
Avatar

as we approach tu bishvat I am thinking about the olive trees in palestine. as we approach the new year for trees i am thinking about all the trees burned and cut down and decimated in palestine during the past century. as people gear up to donate to the reforestation and ecological concerns of occupied lands for tu bishvat i am thinking of the disregard for the environment in gaza and the west bank, i am thinking of the destruction of agricultural sites, of families’ olive groves and pomegranate trees that have stood for decades or even centuries, i am thinking of the ecological impact of incessant bombardment. as i get the zoom link to the tu bishvat seder with a list of foods to prepare in my email i am thinking of hunger in palestine.

Avatar
Anonymous asked:

this might be weird to ask, but how do I critically look at another person's writing and implement what I like in their writing in my own writing? I've been having trouble improving in my writing, and frankly Im not sure how to go about doing that, even. It's easy to see what I like about another person's writing, but hard to pinpoint exactly why...

THIS IS NOT WEIRD TO ASK. It is, in fact, the most important question EVER.

How to Read Like a Writer

Re-read. If you get halfway into a chapter and think, Wow this chapter is super creepy–I wonder how they did that. Or get to the end of a book and think, I feel the poignancy of the fragility of human life in an inherently volatile economic system–I wonder how the writer made me feel that wayGo back and re-read that shit.

Read slowly. When you read like a reader, you read pretty fast. When you go in for your second, or third, or fourth re-read of a passage, chapter, or book that you want to know more about, read it slowly. Really. Slowly.

Read for technique, not content. Readers read for content (”In this paragraph, Damien gave Harold a classified envelope.”). Writers read for technique. (”In this paragraph, the writer made me feel curious about the contents of the envelope by giving sensory details about its appearance and weight.”)

Ask the right questions. They usually start with HOW: How did the writer make me feel? How did they accomplish that?

Read small. Did a chapter make you feel sad? Find out WHERE EXACTLY. What paragraph, sentence, or WORD did it for you? Was it a physical detail? A line of dialogue? A well-placed piece of punctuation? Stories are made of words and sentences. Narrow it down.

Practice. Reading like a writer is a skill that takes time to develop. Over time, you’ll get better at it!

How about y’all? Anything to add to this list? I made it off the top of my head so I’m sure I’m forgetting something. What have been your experiences with learning to read like a writer?

Hope this helps!

//////////////

The Literary Architect is a writing advice blog run by me, Bucket Siler. For more writing help, check out my Free Resource Library or get The Complete Guide to Self-Editing for Fiction Writers. xoxo

Avatar

this is SO IMPORTANT for creatives! understand WHY you love things, why they move you, how the writer (or artist or whomever) did the thing that made you laugh or cry or see the world through a fresh perspective

I like to mark passages that really work for me, that reveal some insight into the human experience or deliver a beautiful image that lingers in my mind or a powerful scene our great dialogue or whatever. by marking it, one can go back later for inspiration or insight, especially when stuck in a revision or feeling uninspired

Avatar

I tried to write a novel. Not once. Not twice. But about 12 times. Here's how that would play out: 1. I sit down and knock out 10 pages 2. I share it with someone 3. They say "It's goooood" like it's not good 4. I ask for critical feedback 5. They say, "Well....the plot just moves so quickly. So much happens in the first few pages it doesn't feel natural." So I'd write more drafts. I'd try to stretch out the story. I would add dialogue that I tried to make interesting but thought was boring. I would try including environment and character descriptions that felt unnecessary, (why not just let people imagine what they want?) Anyways, I gave up trying to write because in my mind, I wasn't a fiction writer. Maybe I could write a phonebook or something. But then I made a fiction podcast, and I waited for the same feedback about the fast moving plot, but guess what??? Podcasts aren't novels. The thing that made my novels suck became one of the things that made Desert Skies work. I've received some criticism since the show started, but one thing I don't receive regular complaints about is being overly-descriptive or longwinded. In fact, the opposite. It moves fast enough that it keeps peoples attention. I always felt I had a knack for telling stories but spent years beating myself up because I couldn't put those stories into novel form. The problem wasn't me. The problem was the tool I was trying to use. All that to say: If, in your innermost parts you may know that you're a storyteller but you just can't write a book, don't give up right away. You can always do things to get better and there's a lot of good resources. But if you do that for a while and novel writing just isn't your thing, try making a podcast, or creating a comic, or a poem, or a play, or a tv script. You might know you're an artist but suck at painting. Try making a glass mosaic, or miniatures, or try charcoal portraits, or embroider or collage. You might know you're a singer, but opera just isn't working out. Why not yodel? I could keep listing out examples, but the point is this. Trust your intuitions when it comes to your creative abilities, but don't inhibit yourself by becoming dogmatic about which medium you can use to express that creativity. Don't be afraid to try something new. Don't be afraid to make something new. You might just find the art form that fits the gift you knew you always had, and what it is might surprise you

Avatar

It feels mean spirited to bring it up in the thread but there’s a post that circulates about how ppl underestimate the labour costs of bespoke clothing when offering to purchase it from seamster hobbyist friends, which is generally good and approvable in its place aside from the many replies of the form “Karl Marx is rolling in his grave”. If your take away from Marx is that individual artisans need to be paid in exact proportion to their labour and this is what economic justice looks like, you are either very bad at reading or getting your understanding entirely thru posts

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.