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Perfect Blue (パーフェクトブルー), 1997 dir. Satoshi Kon

Ashkan Honarvar, Faces 3, (2009)

“Imperfections play a big role in my work. I’m always looking to find beauty in places you don’t expect them to be. I think subconsciously I’m trying to find beauty/aesthetics in the extremes, just to be able to believe that everything is ok and there is hope. I usually use images of the human body from medical books that I order online or in bookshops. This fascination with the imperfection is sometimes linked to images of the human body as explained above but also the not visible ‘human condition’. It always has fascinated me to understand why people behave the way they do under extreme circumstances. I find and study these extreme moments in history books.”

It’s a never-ending cycle, dearest.

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Cat Soup production art from Masaaki Yuasa - Sketchbook for Animation Projects.