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Youth Ornaments

@youthornaments-blog / youthornaments-blog.tumblr.com

of glory
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fissurina

The Forgotten 1950s Girl Gang

No idea if this photo set is already here somewhere…it likely is…but this is a bit rad… full article here: http://www.messynessychic.com/2013/02/10/the-forgotten-1950s-girl-gang/ _———————————————

You might have heard of the Teddy Boys, a 1950s rebel youth subculture in Britain characterized by an unlikely style of dress inspired by Edwardian dandies fused with American rock’n roll. They formed gangs from East London to North Kensington and became high profile rebels in the media. But an important sub-subculture of the Teddy Boys, an unlikely female element, has remained all but invisible from historical records. Meet The Teddy Girls.

These are one of just a few known collections of documented photographs of the first British female youth culture ever to exist. In 1955, freelance photographer Ken Russell was introduced Josie Buchan, a Teddy Girl who introduced him to some of her friends. Russell photographed them and one other group in Notting Hill.

After his photographs were published in a small magazine in 1955, Russell’s photographs remained unseen for over half a century. He became a successful film director in the meantime. In 2005, his archive was rediscovered, and so were the Teddy Girls.

Russell remembers 14 year-old Teddy Girl, Jean Rayner: “She had attitude by the truckload. No one paid much attention to the teddy girls before I did them, though there was plenty on teddy boys. They were tough, these kids, they’d been born in the war years and food rationing only ended in about 1954 – a year before I took these pictures. They were proud. They knew their worth. They just wore what they wore.”

To understand the Teddy Girls style, we first have to go back to the boys culture. They emerged in England as post-war austerity was coming to an end and working class teenagers were able to afford good clothes and began to adopt the upper class Saville Row revival of dandy Edwardian fashion. By the mid 1950s, second-hand Edwardian suits were readily available on sale in markets as they had become unwearable by the upper-class once the Teddy Boys had started sporting them. The Teds, as they called themselves, wore long drape jackets, velvet collars, slim ties and began to pair the look with thick rubber-soled creeper shoes and the ‘greaser’ hairstyles of their American rock’n’roll idols.

Despite their overall gentlemanly style of dress (certainly compared to today), the Teddys were a teenage youth culture out to shock their parents’ generation, and quickly became associated with trouble by the media.

Teddy girls were mostly working class teens as well, but considered less interesting by the media who were more concerned with sensationalizing a violent working class youth culture. While Teddy boys were known for hanging around on street corners, looking for trouble, a young working class woman’s role at the time was still focused around the home.

But even with lower wages than the boys, Teddy girls would still dress up in their own drape jackets, rolled-up jeans, flat shoes, tailored jackets with velvet collars and put their feminine spin on the Teddy style with straw boater hats, brooches, espadrilles and elegant clutch bags. They would go to the cinema in groups and attend dances and concerts with the boys, collect rock’n’roll records and magazines. Together, they essentially cultivated the first market for teenage leisure in Britain.

In the end it was the troublesome reputation of the Teddy Boys that got the better of this youth subculture. Most of the violence and vandalism was exaggerated by the media, but there were notably a few gangs that chose a darker path.

Edit: Pretty sure I read something the other say about how racism was commonplace in teddy boy/girl subculture? In which case we should prolly stop pretending they’re super cool. - Jenn

It was 1954, everything was racist.

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new jams for spring break

Devendra Banhart 

Für Hildegard von Bingen

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ckck
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copycats

Bang Bang (My Baby Shot Me Down) by Sheila originally by Cher; written by Sonny Bono

c/o ckck, who says:

If Quentin Tarantino’s and Wes Anderson’s soundtracks got together and had a baby, this would be the end result.
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First tumblr post I've made in minute, of course its music related. Losing my religion in the parallel major? weird. 

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unwinona

And then I debated whether or not to put it on Tumblr…but I decided it was important. Because in my own way, I can (unfortunately) point out exactly what is wrong with men when they don’t realize how hard it is to be a woman. How we do not have equal opportunities and freedoms in everyday life….

Because I’m sick of all the blame being put on women, because I think it’s bullshit I should have to reconsider my wardrobe choices so that I don’t even remotely look like I’m ‘asking for it’, because instead of teaching men not to rape, we spend more time teaching women to not get raped, because I have been harassed on a bus full of people and no one came to my defense… The list coud go on. Give this a read, if you give a damn at all.

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this music video is really Important because: a. women reclaiming public space/space where harassment occurs b. reappropriation of physical harassment thru the use of handprint imagery c. reappropriation of masculine object (baseball bat) for self-defense by women d. men shown performing physical labor as work/women shown performing physical labor for pleasure e. deconstruction of ageism thru the inclusion of young & elderly women being complete badasses f. centering around performance by women of color, which is refreshing when we as a culture just had to deal with the fucking white girl mafia g. doooooope. beat. not going to pretend i don’t love this song (or rye rye in general)

Fuckin’ love it.
well this is just excellent -jamie
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