Tanya Rusnak. Spectres series. Elle (9) in process-study
Mark van den Brink – The Minox Files 06401.00.paris, 2000
Gerard Petrus Fieret - Untitled (woman with earring), ca. 1960s
Marina Abramović. Spirit Cooking. 1996
Portfolio of eight etchings (four with aquatint and one with gold leaf) and four aquatints with chine collé; and 25 letterpress prints, plate: see child records; sheet (each): 12 3/8 x 10 15/16" (31.5 x 27.8 cm). Monroe Wheeler Fund. © 2018 Marina Abramovic / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Wolf Vostell - Oscillograph on Beethoven, 1959-1963
Saul Leiter - Across the street, ca. 1956, Gelatin silver print, printed circa 1970, 11 x 7 cm
‘Your first inclination, as the eyes adjust, is simply to believe’: Tacita Dean’s Film at the Turbine Hall. Photograph: Sarah Lee for the Guardian
VAN VECHTEN, Carl. (Betty Field)
Captioned by Van Vechten on the verso: "Betty Field. December 20, 1947"
Unbound. Gelatin silver photograph. Approximately 7.25" x 9.5". Fine. Photographer's embossed name, as well as with his stamp on the verso. Captioned by Van Vechten on the verso: "Betty Field. December 20, 1947" with the number of the negative "XXIII.DD.1." Portrait of the American actress seated and looking to her left.
Paulo Nazolino,Fim
Bleeding Heart Flowers (Coeurs de Marie), 1864c/1864c
Albumen print from wet plate negative on original mount
13 5/16 × 10 7/16 in | 33.8 × 26.5 cm
Claire Seppecher
Isidore Isou, Réseau centré M67 (1961)
Handwritten draft of one of the last poems of Sylvia Plath ‘Sheep in Fog’
The hills step off into whiteness. People or stars Regard me sadly, I disappoint them.
Vincenzo Agnetti
Photo-graffia
1981
exposed, scratched photographic paper
23 7/8 x 19 7/8 in. (60.5 x 50.5 cm)
Signed and dated "Agnetti 81" lower right. This work is registered with the Vincenzo Agnetti Archive under archive number 0060F6F1981011500347.
Luz Blanco | Vanity, 2014. Photography of a light box installation, print on fine art paper. 58 x 77 cm