Tuco Amalfi
Element Sequence - Fire, 1996
acrylic on canvas
Tuco Amalfi
Element Sequence - Fire, 1996
acrylic on canvas
The Border Country, 2021
Lynda Jones, artist born in Sunderland in 1970, currently based in Welsh.
teo
Unknown, Halley's Comet: Head, 1910
Mount Wilson Observatory
Ernest Martin Hennings - Thistle Blossoms (1929)
Cho Poong Ryu - Blue nite journey.
butterflies pt. 3
Illustration by Japanese artist Hirō Isono
Red Velvet - Carla Vize-Martin
British , b. 1970 -
Mixed media on canvas , 18 x 18 in.
Nature's Way - Carla Vize-Martin
Henri Biva (French, 1848-1928) - A Woodland Lake
Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light (Biva devoted great attention to light effects). The artist was a member of the Société des Artistes Français and a Knight of the Legion of Honour (Chevalier de la Légion d'Honneur)
En plein air (French for 'outdoors'), or plein-air painting, is the act of painting outdoors.
This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the landscape.
It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential.
Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were variants that were particularly relevant to the mid 19th-century Hudson River School and to Impressionism.
Gilbert Williams, 1977
Guido Borelli (Italian,b.1952)
Le Colonne E La Buganville
Oil on canvas