— Gustave Flaubert, from a letter to Louise Colet.

Leila Chatti, I Dreamed I Forgot 

               ERA AESTHETICS                ↳ The Aztec Empire or the Triple Alliance, Valley of Mexico. 1428 - 1521

The Importance of Corn Deities

First grown in Mexico some 5,000 years ago, corn soon became the most important food crop in North and Central America. Throughout the region, Puebloans, Mayans, Aztecs, and other Indigenous peoples worshiped corn deities and developed a variety of myths about the origin, planting, growing, and harvesting of corn, also known as maize. Secular and ceremonial life centered around the growing cycle of corn. Corn became an archetype planted in our collective unconscious.

In the process of writing my spiritual memoir, Riding Spirit Horse, I discovered a recurring theme. One motif that keeps repeating itself in my shamanic journey and trance experiences is that of corn. On my first shamanic journey into the spirit world in 1988, I met a spirit guide who became my lifelong mentor in the ways of the spirit world. Known as Corn Woman or Corn Mother, she is an important deity archetype in Pueblo mythology. She represents fertility, life and the feminine aspects of this world.

The importance of corn deities in Pueblo mythology reflects the importance of corn in the Pueblo diet. Each pueblo performs a ritual Corn Dance to honor Corn Woman and pray for rain, growth and fertility. A drummer and a chorus of chanting men support the lines of colorful dancers who move in a continually changing zigzag pattern. The graceful dancers turn and pause, then turn again, creating a sweep of movement that ripples through the line like a breath of wind through stalks of ripening corn. The dancers make gestures to indicate their requests to Corn Woman: lowering the arms depicts the lowering clouds, moving the arms in a zigzag motion denotes lightning, lowering the palms signifies rain, and lifting the hands symbolizes the growing stalks of corn. It is a dance that evokes the timeless Pueblo way of being.

On my first pilgrimage to the Maya pyramids and ceremonial centers of Mexico in 1995, I had a vision of the Maize God, giving me insight into the mystery of death and rebirth. The Maya Maize God is a mythical dying-and-reviving god who was killed by the Lords of the Underworld, brought back to life by his sons, the Hero Twins, and emerged from the Underworld as corn. For horticultural societies like the Mayans and Puebloans, maize is the substance of life. Its growing cycle is a metaphor for the death, burial and rebirth of humans. When the corn seed from the harvest is blessed and interred in the earth, it is as though a dead human is buried. The embryonic seed germinates in the dark, moist earth and begins to grow. The corn plant turns its leaves toward the light of the sun, growing taller and taller. At the end of the season, when the corn cobs are fully ripe, it is as if the dead person surfaces to join the living. Just as darkness gives rise to light, so life grows from death.

“When we give ourselves over completely to the spirit of the dance, it becomes a prayer.” Gabrielle Roth

El pectoral de Yanhuitlán en forma de chimali o escudo es una insignia milira hecha de oro y turquesa.

El disco es una representación del Sol. En el pensamiento Mesoamericano, el Sol era considerado como un guerrero.

Sus rayos eran concebidos como sus armas y recibían el nombre de serpiente de turquesa (en náhuatl, Xiuhcóatl). El escudo de Yanhuitlan representa, a escala menor, un escudo militar en el cual se entrelazan dos grecas- la de oro y la de turquesa – uniendo simbólicamente, la guerra, el sol y el agua, aludiendo a la fertilidad, la muerte y el renacimiento. #arte #Teotihuacan #piramidedelaluna #mexicomagico #experienciaancestral #culturamexicana #mexicodesconocido #vivemexico #pueblosmagicos #historia #piramidesdeteotihuacan #travel #turismo #photography #teotihuacanos #mexica #mexicano #diseñomexicano https://www.instagram.com/p/CffTy14stWW/?igshid=NGJjMDIxMWI=

Chacmool from Templo Mayor, Mexico

Xochipilli and Xochiquetzal as the Duality art by Corazon Mexica more at https://www.etsy.com/shop/CorazonMexica?ref=simple-shop-header-name&listing_id=683189177

Un padre enseña a su pequeño niño a ejecutar los movimientos de la danza azteca.

“Sacrifice”

Acrylics on paper

35.5 x 50 cm.

“Guerra florida”

Acrylics on canvas.

15,3 x 19,3

Source

Safia Elhillo, from "Summer," Girls That Never Die.