i think what repels me the most about about the adaptations of the cyberpunk rpg is that the music choices are so banal and safe. Like i dont expect a thoroughly corperate product to accurately hone in on and portray subcultures but like cmon, At least feign putting the punk in.
brbgensokyo reblogged
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Eimii to Yobanaide – PC-98 – C’s Ware (1995)
brbgensokyo reblogged
trio fallout
can i give an addition to an artist statement i never posted?
i made this when i was feeling so isolated from other people, the bunch of oil pastel works i made all at once were made out of necessity for me in order to just.. feel connected to something, anything
i was expecting the response to this work to be along my line of thinking but most if not all responses i did receive from internet ppl and friends alike were along the lines of: “ahh, they’re playing together” … which really surprised me and i didn’t understand that perspective
now that i’m a bit out of that funk and trying to have some reflection moments.. like, oh my god of course people see is that way! and i thought this was an expression of my loneliness but i willed into existence obvious connection between three creatures
i can’t wait to share more art in 2024 !!!!
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Malcolm in The Middle was such a good show
our virtuous and tasteful skin vents vs their senseless and gacha like cut outs
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Akumu: Aoi Kajitsu no Sanka – PC-98 – Studio Möbius (1996)
Four-little five-little six-little schoolgirls…
my intended ecological niche is the ketamine korpse on the dance floor of some warehouse club
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Travel★Junction — PC98 — Cocktail Soft (1996)
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stegosaurus gyaru oc
Yeah i drew this because of that meme
little cunt of all time