midori

the worst thing about bad cgi movies is that each one has to cram in a forced tearjerker scene ala every pixar movie ever without the rest of the movie having any hint of character or sentimentality, so you know something like boss baby or the emoji movie is going to have this weird out of place scene where the characters lose sight of their goals or end up hurting each other and they walk slowly to sad music before realizing something about themselves or about what they need to do to make things better, except instead of it being genuinely charming characters you relate to, its alec baldwin the dreamworks baby whose bare ass you’ve been forced to look at for at least 20 minutes prior

IM PLAYING WITH THIS REALLY YOUNG KID I ADDED THE OTHER DAY AND THEY’RE IN A GROUP WITH MORE YOUNG KIDS AND THEY JUST TAUGHT ME “HOW TO DAB AS GENJI”

i like those fics and art where hanzo is nice to hana TT^TT

And here’s full picture.

Overwatch at the arcade! I am out of practice when it comes to digital drawings and felt way over my head with this one. But oh well, it was fun drawing it!

Short White Wedding: In light of the Supreme Court’s landmark ruling on gay marriage, the ten best bridal dresses of the season, for those who proudly say no (thank you) to the gown, on to-be-wed dancers AyaBambi.

Check out Aya & Bambi on Vogue

Actually tbh 99% of the people who profess to ‘love only animals’ but ‘hate humans’ usually, have no idea what human suffering looks like on a mass scale, have no concept of personal responsibility when it comes to being a human, and use their fucked up ideas about overpopulation and human worthlessness as a pseudo-activist, pseudo-hippy, pseudo-academic mask for their classism and hatred of poor people and minorities so fuck off

Using words like ‘breeders’ & being proud of hating children is not cool or edgy or woke, it just makes you look like an out of touch, racist, classist asshole

Kagura fanart!

if you’re keeping up with Mob Psycho 100, you may have noticed that some scenes will occasionally shift to a more abstract, “paint-like” art style. you’ve almost definitely noticed this in the ending sequence

what you may not have known is that that’s not just a style– that’s actual paint.

“paint-on-glass” animation is a very uncommon animation technique, in no small part due to the fact that it’s incredibly difficult and labor-intensive. it’s remarkable – and possibly, until now, unheard of – to see it in a big budget animation series like MP100, not only for small scenes but for an entire 90 second sequence– and it’s even more remarkable that it’s all done by one person

Miyo Sato specializes in paint-on-glass animation, having created several short films with it. she created the entirety of MP100′s ending sequence as well as several notable scenes like the appearance of the first spirit in episode 1. 

it’s really inspiring to see so many talented artists not only given work to do on a big project like MP100 but given so much freedom with their style and art direction. i really hope the success of this series will inspire other animated projects to be more creative and try new things in regards to art and animation

you can see some of Miyo Sato’s work on her website, as well as her twitter and tumblr