Hunts Mesa, Utah by Jeroen Fransen

ocarina of time as fearless

If you're not deeply versed in Swiftian Lore, you probably think this was her first album, and understandably so. It's the album that Love Story and You Belong With Me are on, the album she first one the aoty grammy for, the album that gave rise to That VMA Incident- in other words, although it's her sophmore album, it's the one that broke out of the country music charts and into the Pop Sphere. Even if you've never listened to the album, you know it, at least to some degree. (Sound familiar?)

Yes, I've been trying to avoid making these analyses about the meta status of these works in pop culture, and instead about the contents and themes of the works themselves, but it's hard to talk about Ocarina without acknowledging its colossal footprint on games as a medium. While Fearless wasn't quite as pioneering as, say, inventing lock-on targeting, it did have a massive impact on the music industry, not only from a commercial perspective (revitalizing the country music market from its death throes), but from an important artistic perspective: she was a teenage girl who wrote her own songs, and in the last few years we've been seeing how significant an impact that had in the number of young female songwriters who cite Swift and this album as what made them realize they, too, could pick up a guitar and write their own stories.

(Also, this album includes the lyric "I don't know how it gets better than this", which is exactly what everyone said when Ocarina first came out xD )

Okay, onto the real analysis!

breath of the wild as evermore

if you’re up on your taylor swift lore, you know folklore and evermore are considered “sister albums” - both written and recorded during the pandemic, released five months apart, with a shared “cinematic universe” of sorts, and both characterized by taylor as getting lost in the woods (artistically) and staying there for a while. all of that is true, but if folklore is a lush forest in summer or high fall, evermore is a forest in late winter - the trees are bare, the world is quieter, and all around are signs of death and decay; yet even still, peeking out from the snow are hints of life returning, of nature in all its persistence gearing up to bloom again.

majora's mask as folklore

[background: this was written in response to an @intothecast bonus episode about Majora's Mask, which i highly recommend!]

the isolation, the moodiness, it’s a covid lockdown album and that atmosphere translates weirdly well to majora. more than that, though, it’s the focus on observation and the narrator in the role of the observer- this is the album where swift shifted to writing about fictional characters, historical figures, and the like, and casts herself as an observer mapping these interweaving lives, kind of like how the player/link is put in the role of observer in clocktown, watching how it’s residents lives intersect and move around each other. taylor doesn’t just write about these characters from a third person POV, however, but embodies them to write from their perspectives, just as link embodies characters through the masks, experiencing their different realities as something of a vessel.

folklore is also an album with an underlying sense of grief and loss, and some of its tracks remind me a lot of the conversations brendan and stephen were having during the episode. the song seven - where taylor recalls how as a child, she believed her friend’s house was haunted because it was the only way her child-mind could understand the reality of an abusive household - reminded me of the discussions of the “aliens” possibly being romani’s way of understanding bandit attacks, or whether the little girl with the gibdo father was an allegory for losing a parent to their own grief.

finally, the conversations about link’s own psyche and trauma after ocarina have echoes in some of the lyrics on the album - “i can go anywhere i want, just not home”, for instance, or “you dream of some epiphany / just a single glimpse of relief to make some sense of what you’ve seen”.

a morning in big sur [oc] [3200 x 4000] - Author: nathanielthewise on Reddit

source

First official character art dropped!!!

Hanksville, Utah [2048X1367] [OC] - Author: moonknightsonata on Reddit

It’s no secret that overall I liked RoP. I watched it with my roommate who gets very hyped about stuff like that and it made for a really exciting viewing experience, instead of the more bitter perspective I might have taken if I watched it alone. But, I also know there are some real faults with the show, I never thought it was perfect and know it’s not on par with the the LOTR movies and I never expected it to be. But, the fault for that is not on Amazon.

(I want to note that I am not defending Amazon. I hate Amazon. Jeff Bezos can catch this guillotine. I am, however, defending the creative team behind the show, which is how I will refer to them from here on out, I only called it Amazon to grab your attention. )

Here’s my point though, almost every (valid) critique I see of this show isn’t a problem with decisions the creative team made, it’s an inherent problem in any adaptation of the Silmarillion (and associated works but I’m just going to refer to the Silmarillion for brevity’s sake).

The Silmarillion, as full and detailed as it is, is a shit story. The events of the second age do not fit neatly into a clean story structure the way LOTR does because it’s not supposed to. The Silmarillion isn’t a story, it’s a history, and history is never narratively satisfying. Tolkien (Jirt, not talking about Christopher here) didn’t publish the Silmarillion in his lifetime, he only even published LOTR and the hobbit, everything else attributed to him was published after his death. He had no intent of making the other works anything other than a comprehensive history of the world he made for documentation’s sake, never with intent to publish. He didn’t even compile all the writings, Christopher did.

Because if this, the Silmarillion is really hard to adapt for a number of reasons:

1. Elves aren’t good main characters.

Elves aren’t supposed to be relatable characters, they’re aloof and static and inherently non-relatable (There are exceptions but they’re usually not regular elves. Elrond is half elven, Legolas is very young). Humans and hobbits are the relatable characters through which we view the world, because they can have human flaws and conflicts, which makes for a very human story. To make elves the main characters you need to make them interesting characters, and elves aren’t supposed to have human flaws, and so you either stay faithful and they don’t feel relatably human, or you change their to be more human and it feels disingenuous to what we know elves to be like. It’s a lose lose.

2. Middle earth is not supposed to be pretty.

A huge part of LOTR is realizing every place they visit is either the ruins of a past, much larger civilization, or a city that is a fraction of what it used to be (Gondor in lotr is NOTHING compared to what it was in the early 3rd age, or Arnor and definitely not Númenor, Rivendell is a pebble compared to Lindon and Eregion, we only ever see Khazad-dûm as a decrepit tomb instead of the most prosperous mine in all of middle earth is once was). This juxtaposition is integral to the main themes of lotr and is imperative to the story jirt was trying to tell. A story set in the 2nd age cannot have these ruins because IT IS THE RUINS. It cannot “feel like lotr” because it is what will make lotr lotr.

3. Characters (individuals) are of little importance in the Silmarillion.

As important as Elendil and Isildur (and even Anárion) are to the plot of literally the entire 3rd age, we know little about their own narratives. They are names for the people that did these important actions and that’s it. Again, the Silmarillion is a history, it’s not going to say what Elendil and Isildur’s relationship was like in excruciating detail or what Isildur wanted to do with his life before sailing to middle-earth and becoming a king. You have to write these characters a good story if you’re adapting the Silmarillion and sometimes there isn’t space to write a compelling journey in the space Tolkien left. Because they don’t have a character, any character you give them will seem “out of character” to many people.

Basically my point is that before you go and say “well this is weird or I didn’t like this choice” think about what the creative team had to create to make an interesting show out of a story not designed to be told. Sometimes they didn’t make the perfect decision, but if you were tasked with adapting something unadaptable do you think you would do it perfectly?

whale watching

Fresh snow at Bryce Canyon National Park after a big snowstorm last week. [OC] [2000x1333] - Author: Austinjamesjackson on Reddit

@tolkienweek day 2 ~ favourite location

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Marcin Sobas

Hello, guys! I’m glad to congratulate you on N7 day ❤ It’s been five or six years since I met these characters, this universe, and… I fell in love with them forever. The Normandy team for me is family and friends, to whom I’m always happy to return!

And today I have prepared for you all my favorite fanarts of Mass Effect! Enjoy it :3

Why does everyone I love the most always have to go away?

this is the scene that got me, had to text Nicolette in tears ♥