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Nat themself

@quarridors

Nat in Nottingham, a wonky distracted multiply-neurodivergent agender IT professional recovering from burnout. Sings, draws things, goes to SF cons, gives talks. Editor of Practical Androgyny and Graphic Explanations. Contributes to Autistic Flappy Hour podcast.
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Happy Twelfth Night!

Here's a favourite of my coloured pencil drawings from my Days Of Christmas series in 2015/16:

Goose A-laying, aka ”Draw me like one of your French Hens”

I hope this cheers you up while you're taking your decorations down! 🎄♻️🗑

[Image description: A coloured pencil drawing pastiching the scene from the film Titanic where Rose lies on her back on a green patterned sofa (with mahogany frame and legs) and asks Jack to "Paint me like one of your french girls", except in this version a Canada Goose is posing suggestively in Rose's place.]

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To celebrate Inktober, Colorvember and half term, I’m giving away a FREE 10 page PDF of Doctor Who fan art colouring pages!

I've turned 16 of my Doctor Who fan art illustrations into black and white line art that you can colour yourself! Including Ood, Daleks, Cybermen, K-9, Bok and more!

Download and print to colour at home or to use them however you wish - as long as it's for non-commercial use and you link back to quarridors.com so people can find more of my work.

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A digital artist attempts Inktober, days 13 to 15, “Teeming”, “Fierce” and “Mysterious”, another comic adaptation of a @microsff tweetstory, words by O. Westin.

Transcript: An A5 sketchbook page showing a black inked 3 panel comic using 'Medieval' style captions with elaborate letters and large illuminated first letters decorated with flowers. The borders between panels are twisted vines in the style of medieval manuscripts.

Panel 1: "Nobody dared go near the tower", a cobbled road towards a building has become overgrown and gone into disrepair. The fence to one side has been broken and a rough track has been worn into the hillside, diverting the road away from the tower.

Panel 2: "A fearsome dragon sat at the top", a huge feline dragon looks down from a tall tower, on which it barely fits, well above the tops of the trees. It has large scaled craws, an armoured tail, but no wings,

Bottom caption: "Until one day, a knight rode up"

Panel 3: An armoured knight shouts up to the tower, "DO YOU NEED HELP TO GET DOWN?"

The huge head of the dragon leans down the side of the building to look pleadingly at the armoured figure, and says "Please."

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A digital artist attempts Inktober, days 5 to 7, "There's a World (Between the Lines of Age)", comic adaptation of a @microsff tweetstory, words by O. Westin.

Designed as part of a Nottingham Hackspace Comics Making Group challenge. The story takes place on side 2 of Harvest, Neil Young, which oddly works as a 5 track concept album for this story (if you awkwardly pretend that Alabama’s a person - and we all know that rock musicals have done far worse!)

Transcript: An A5 sketch book page showing a black inked 3 panel comic.

Panel 1 "In the long valley a civilisation was born", a twisting valley with caves and rope bridges along its walls, "And flourished", towards the bottom are elaborate bridges, skyscrapers and temples.

Panel 2 "…until an enormous metal point scraped it away", the huge object devastates the buildings, it is flanked by other long twisting valleys.

Panel 3, speech bubble "Old vinyl sounds great!", a Neil Young record plays on a turntable.

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Bubbling over with words, almost sparkling with light

Earlier I was tweeting about the restoration of colour to 1970 PAL Doctor Who episodes by overlaying contemporaneous NTSC home video recordings over the monochrome archive film. I commented on how the colour artefacts this introduced in the image had interacted with the original microphony interference lines arising from late 60s colour video cameras, and so induced a feeling of nostalgia for the way I once experienced many of these stories from my own home video recordings of repeat showings, which subtly degraded with each repeat viewing. The next thing I saw on social media was this multi-generation lossy screenshot of a screenshot of a screenshot shared on one of my Facebook groups, and I was absolutely fascinated.

It's like 1980s chain letter photocopies-of-photocopies for the digital era. Almost a form of emergent, collaborative human-computer art, sitting on a server, different to the one you may share this to now. By screenshotting and reuploading the image again and again, the gradients and imperfections in the lossy image reinforce themselves so that any semblance of text, with perhaps the exception of line endings, is destroyed. What is the end point then? When will the standards of readability or aesthetic sensibility of the reader interrupt the progression towards glowing halos of unnaturally articulated edges, breaking through a sea of noise, like the ghosted patterns on an analogue television tuned to a distant channel? I'm unsure how to regard this activity. Has the awkwardness of copy-pasting touchscreen text, a demonstrably time-consuming physical act, led to screenshots becoming a way to smooth out usability flaws or irregularities in interface that different platforms may have? Will anyone re-transcribe the message (or simply type the first 12 words into Google, retrieving the original as first result) or will the sharing cease entirely before it begins to become as unreadable as a CAPTCHA, as inaccessible to all as sharing text in the form of an image is for anyone with a print-disability? Or is the degeneration part of the message; that this is internet folk wisdom, gaining rougher edges and taking on new meaning and fuzzier origins as it passes through the hands and minds of everyone who wants to pass it forward, from one platform to another? Either way, the message is sound, and hit me really hard, as if the words left cracks and impact craters from the force at which they entered my mind. And then I got overexcited and wasted everyone's time with the sort of pretentious derivative ramblings that arise from listening to 1960s experimental music on repeat while sitting in a room performing tedious digital graphic design work. And so I'm compelled to add this self-critical coda, because I'm another of those people who can't enthuse about excitingly unexpectedly entrancing ideas without ashamedly apologising at the end. (But feel free to crop that part out of the screenshot.)

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reblogged

Listen to the third episode of Autistic Flappy Hour, a podcast with an autistic angle. Laurine and Nat’s ‘flappy things’ feature comics about autism, then our main discussion takes place at Autscape, the autistic run conference and retreat, where we’re joined by guests Yo and Martijn to discuss Autistic Spaces.

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quarridors

I co-hosted, edited and published this Autistic Flappy Hour episode, and helped with the transcription. And the previous 2 episodes too!

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reblogged

Listen to the second episode of Autistic Flappy Hour, a podcast with an autistic angle. We share the ‘flappy things’ making us happy since we last recorded and discuss the concept of passing as it relates to autism. In short, ‘passing’ is the ability to appear as being neurotypical or non-autistic in some contexts.

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quarridors

I’m starting work on editing episode 3, meanwhile the second episode of Autistic Flappy Hour, about Autistic Passing, is still available to listen to here.

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reblogged

Listen to the debut episode of Autistic Flappy Hour, a podcast with an autistic angle. We introduce ourselves and the podcast, share the ‘flappy things’ making us happy this week and tell our autism stories; describing how autism has affected our lives and we’ve come to be a part of the autistic community.

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quarridors

This is the new autistic spectrum / neurodiversity podcast I'm co-hosting, we've been working on this for the last couple of weeks.

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reblogged

United Kingdom Nonbinary Election Campaign results and final analysis blog post and bar charts, analysing the performance of the UK Trans Info campaign in light of the general election result.

As encouraging as the 809 candidates pledging support were, the 33 of them that actually got elected didn’t include the 2 Lib Dem MPs who previously showed the most support for nonbinary people in parliament.

This means that it’s important that those 33 who were elected are kept to their word and asked to show active support, and that more MPs are told why these issues deserve consideration.

If your newly elected local MP supported the campaign, please do what you can to hold them to their pledge and remind them why this cause is important. Even if they didn’t, the blog post gives some ideas of how to ask for their support.

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quarridors

My local MP didn’t feel able to take the pledge because it would involve supporting specific legislation that she didn’t know the impacts of, but after discussion on Twitter she agreed to work with me after the election to understand the issues better.

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